The art of music, Vol. 06 (of 14) : $b Choral and church musicCole, Rossetter G. (Rossetter Gleason)
History
The art of music, Vol. 06 (of 14) : $b Choral and church music
Cole, Rossetter G. (Rossetter Gleason)
Music -- History and criticism; Musicians
‘Jubilee Cantata.’--Weber was commissioned by Count Vitzthum in 1818
to write a grand jubilee cantata for a court concert commemorating
the fiftieth anniversary of the reign of Friedrich August, king of
Saxony, on the 20th of September. The text was written by the poet
Friedrich Kind. Before it was completed, however, he was informed
that the work would not be required and that other plans had been
made. It has been intimated that this change came about through the
intrigues of his Italian rivals (he was then Court Musical Director at
Dresden). The cantata, however, was given in the Neustadt church for
the benefit of the needy peasants in the Hartz Mountains, with Weber
himself as conductor. While it is said that a _Jubel_ overture by
Weber was performed at the court concert, it is believed by the best
authorities that the famous _Jubel_ overture, now known the world over,
was entirely independent of the cantata and of later composition. As
the original text dealt with events in the life of the king, the work
was unsuited for general performance, hence a second text was later
supplied by Amadeus Wendt and the title changed to _Ernte-Cantate_
(‘Harvest Cantata’). This is the version in common use at the present
time. Still another text was made by Hampdon Napier, and this was given
in London under the title of ‘The Festival of Peace’ shortly before
Weber’s death, the composer himself conducting. The cantata is written
for four solo voices, chorus, and orchestra. Joy at the fullness of the
harvest alternates with solemn thanksgiving and praise to the Giver
of all good for His bounty. A devotional spirit prevails throughout,
except in the ‘storm’ chorus, where a dramatic style appears. The
beautiful number for quartet and chorus, ‘Wreathe into garlands the
gold of the harvest,’ is frequently detached from the cantata and
performed separately.
Public-domain text, read in full here on John Shaqi.
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