The art of music, Vol. 06 (of 14) : $b Choral and church musicCole, Rossetter G. (Rossetter Gleason)
History
The art of music, Vol. 06 (of 14) : $b Choral and church music
Cole, Rossetter G. (Rossetter Gleason)
Music -- History and criticism; Musicians
_Frithjof_, for baritone and mezzo-soprano solo voices, male chorus and
orchestra, is one of his finest productions and was his first work to
achieve a signal success. It was written at Mannheim in 1863, when he
was only twenty-five years old, and the extraordinary favor with which
it was received caused this masterwork of the youthful composer to
become the prototype of a numerous group of dramatic cantatas for male
voices that followed in its wake. The text comprises six scenes taken
from Bishop Tegner’s far-famed _Frithjofsaga_.
A lively orchestral introduction, entitled ‘Frithjof’s Return,’ leads
to a beautiful baritone aria, ‘How bravely o’er the floods so bright,’
accompanied by an attractive chorus, ‘O ‘tis delight when the land afar
appeareth.’ The second scene depicts Princess Ingeborg, whom Frithjof
has come home to wed, being led to the altar by King Ring, the result
of a plot by Ingeborg’s brothers against Frithjof. A brief wedding
march is followed by the bridal chorus, ‘Sadly the skald walks before
the train,’ and Ingeborg’s lament, ‘My heart with sorrow overflowing.’
The next scene, ‘Frithjof’s Revenge,’ intensely dramatic both in the
vocal score and the rich instrumentation, opens with a chorus of
priests, ‘Midnight sun on the mountain burns,’ in the midst of which
is heard Frithjof’s cry, ‘Go to Hela’s dark abode,’ and after it his
rugged aria, ‘Where my father rests.’ As he sings this, he fires the
temple and flees to his ship, amid the dramatic and descriptive cries
of the people and Frithjof’s followers, and the curses of the priests.
This chorus is a work of great tonal beauty, portraying vividly the
dramatic action of the text. The fourth number, entitled ‘Frithjof’s
Departure from the Northland,’ opens with a male quartet of exceptional
charm, followed by Frithjof’s powerful solo, ‘World’s grandest region,
thou mighty North!’ In the fifth scene occurs ‘Ingeborg’s Lament,’ a
sorrowful and pathetic heart-cry to her lost lover, ‘Storms wildly
roar,’ after which comes the finale, a spirited chorus sung by Frithjof
and his men as they sail away in the good ship ‘Ellida’ in quest of
further adventures.
Public-domain text, read in full here on John Shaqi.
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