The art of music, Vol. 06 (of 14) : $b Choral and church musicCole, Rossetter G. (Rossetter Gleason)
History
The art of music, Vol. 06 (of 14) : $b Choral and church music
Cole, Rossetter G. (Rossetter Gleason)
Music -- History and criticism; Musicians
The rather long and expressive overture is followed directly by the
first chorus, ‘Lord! Thou alone art God!’ which is very massively
scored and expresses great exultation. The mood of this chorus changes,
as it approaches its middle section, to the more excited and restless
theme, ‘The heathen furiously rage’; but soon returns to the mood
with which it opens and passes on directly to the chorale, ‘To God on
High.’ This nobly beautiful melody is the beloved old German chorale,
‘_Allein Gott in der Höh’ sei Ehr_.’ The next part marks the martyrdom
of Stephen. A powerful choral recitative for the basses accuses him of
blasphemy and the multitude takes up the cry, ‘Now this man ceaseth
not to utter blasphemous words.’ Stephen replies to this in a very
expressive solo, ‘Men, Brethren and Fathers!’ but the people again give
way to their anger in the strong chorus, ‘Take him away!’ The soprano
solo, ‘Jerusalem, thou that killest the prophets,’ is a most eloquent
admonition, but uttered in vain. The people in a tumult of frenzy
demand his death (‘Stone him to death’). The pathetic tenor recitative
tells of the tragic deed. Then follows a beautiful chorale of complete
resignation, ‘To Thee, O Lord, I yield my spirit.’ Following this
chorale, comes the calm and comforting chorus, ‘Happy and blest are
they,’ with its fluent, expressive melodies. The fiery, threatening
aria for bass, ‘Consume them all,’ brings Saul upon the scene. ‘But
the Lord is mindful of His own’ follows and offers a complete contrast
in its quiet and lovely melody for alto. Now occurs the most vital
point of interest in the oratorio, the conversion. A voice from heaven
(effectively represented by a soprano choir) is heard in the words,
‘Saul, Saul, why persecutest thou Me?’ An orchestral interlude leads
with gradually growing crescendo to the powerful chorus, ‘Rise up!
arise!’ This is succeeded by the chorale, ‘Sleepers, wake! a voice
is calling,’ in which the effect is greatly enhanced by the trumpet
figure following each choral line. The general mood grows more profound
and serious as Saul offers up a prayer, ‘O God, have mercy upon me.’
Forgiveness and mercy are offered by Ananias and Saul’s sight is
restored to him and he is baptized as Paul the apostle. The first part
comes to a conclusion with the strong, exultant chorus, ‘O great is the
depth of the riches of wisdom.’
Public-domain text, read in full here on John Shaqi.
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