The art of music, Vol. 07 (of 14) : $b Pianoforte and chamber music
History
The art of music, Vol. 07 (of 14) : $b Pianoforte and chamber music
Music -- History and criticism; Musicians
[36] Professor Frederick Niecks in his ‘Frederic Chopin’ (1888) has
presented practically all that is known of Chopin to the public, in a
manner that is no less accurate than it is wholly just and impartial.
Needless to say that we are greatly indebted for this chapter to that
excellent and wise book, especially in the matter of biographical and
personal details.
CHAPTER VIII
HERZ, THALBERG, AND LISZT
The career of Henri Herz, his compositions and his style;
virtuosity and sensationalism; means of effect--Sigismund
Thalberg: his playing; the ‘Moses’ fantasia, etc.;
relation of Herz and Thalberg to the public--Franz Liszt:
his personality and its influence; his playing; his
expansion of pianoforte technique; difficulties of his
music estimated--Liszt’s compositions: transcriptions;
fantasia on _Don Giovanni_--Realistic pieces, Années de
pèlerinage--Absolute music: sonata in B minor; Hungarian
Rhapsodies; Conclusion.
There is no doubt that Chopin was one of the greatest players of his
day. In some respects he was probably the greatest, for it is hard to
believe that he could have been matched in delicacy, in beauties of
veiled harmony and melody, and in poetry. Yet as far as playing was
concerned his life was spent virtually in retirement; and this was,
as we have hinted in the preceding chapter, bitter to him. It was not
easy for him, we may be sure, to hear from the outer world the echoes
of uproarious applause raised to greet one battling virtuoso after
another. These men strode like conquering heroes over the earth. The
years Chopin spent in Paris were the very hey-day of the virtuosi. He
was excluded from such public triumphs as they enjoyed, partly because
he was too nervous and too sensitive to endure contact with great
audiences, partly because he lacked physical strength, and partly,
also, because to the general taste at that time his style of playing
and his music were too fine to be palatable. Mendelssohn wondered
whether or not Herz was prejudiced when he said that the Parisians
could understand and appreciate nothing but variations.
HENRI HERZ
I
This Henri Herz was, between the years 1830 and 1835, the most
celebrated pianist in Europe. He was Austrian by birth but in his youth
was taken to Paris to study at the Conservatoire, and thereafter made
Paris his home, and himself a Parisian.
Public-domain text, read in full here on John Shaqi.
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