The art of music, Vol. 07 (of 14) : $b Pianoforte and chamber music
History
The art of music, Vol. 07 (of 14) : $b Pianoforte and chamber music
Music -- History and criticism; Musicians
Marini’s dance compositions are characteristic of all dance music at
the beginning of the seventeenth century. Among them, however, is one
that possesses particular interest for us from the fact that it is the
first extant composition marked distinctly ‘for violin solo.’ It is
entitled _La Romanesca per Violino Solo e Basso_ (ad libitum), and has
four sections, each consisting of two parts. The first section, _Parte
prima_, has six measures in the first and second part; the second
section has five measures in the first part and six in the second. The
form of the third section is not so clear as that of the previous ones,
although, as we may see from the basses, the composer endeavored to
give clear-cut melodies. The same may be said of the fourth section,
where the figures are in the bass. The third section--_terza parte in
altro modo_--with new melodic and rhythmic material, has the character
of a dance. The violin part moves in figures of eight, and there are
sustained notes in the bass. The first few measures of each section
will serve as illustration.
Section I
[Illustration: Music score]
Section II
[Illustration: Music score]
Section III
[Illustration: Music score]
Section IV
[Illustration: Music score]
In his technique Marini does not go beyond the first position;
consequently the fluency of the melody suffers many a break, for when
he reaches the limit of the first position, he continues the melody an
octave lower. Yet he is responsible for several technical innovations
for the violin. He was the first to mark the bowing (legato playing)
and to introduce--seven years before Monteverdi’s _Combattimento_--the
coloring effect of the tremolo, thus:
[Illustration: Music score]
Tremolo con arco.
Other innovations are to be found in his _Sonate e Sinfonie Canzoni_
(1629) where in a Capriccio ‘two violins play four parts’ (_due violini
sonano quattro parti_), thus:
[Illustration: Music score]
and a ‘Capriccio to be played on the violin solo with three strings
after the manner of a lyre’ (_Capriccio per sonare il Violino solo con
tre corde a modo di Lyra_).
[Illustration: Music score]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account