American prose literature; English prose literature; Narration (Rhetoric)
There was no thought now for the fishing, but only for the management
of the boats. The lines had been hauled in long before. All were
hurrying to get away, some to seek a shelter in the fiords, striving
to arrive in time; others, preparing to pass the southern point
of Iceland, deeming it the safer course to take to the open sea
and have free space in which to sail before the wind. They still
saw one another a little; here and there, in the hollows of the
waves, sails rose up, poor little things, wet, weary, fugitive--but
keeping upright nevertheless, like those children’s toys of pith
of elder-wood which one may lay flat by blowing on them, but which
always raise themselves again.
The great shag of clouds which had condensed on the western horizon
with the aspect of an island began to break up at the top and the
tatters coursed across the sky. It seemed inexhaustible, this shag:
the wind stretched it, extended it, unravelled it, making issue from
it an indefinite succession of dark curtains, which it outspread over
the clear yellow sky, become now livid in its cold depths.
And still the wind increased, agitating everything.
The cruiser had made off towards the shelters of Iceland, the
fishermen remained alone on this agitated sea, which now had an angry
air and a dreadful colour. They made haste in their preparation for
foul weather. The distance between them increased. Soon they were
lost from sight of one another.
The waves, curling in volutes, continued to chase one another, to
unite, to join forces in order to become still higher, and, between
them, the hollows deepened.
In a few hours all was ploughed up, convulsed in this region which on
the preceding evening had been so calm, and, in place of the silence
of before, one was deafened with noise. Very quickly the scene had
changed and all now was agitation, unconscious, useless. What was
the object of it all?... What a mystery of blind destruction!...
The clouds were completing their unfolding, coming always from the
west, overlaying one another, hurrying, swift, obscuring everything.
There remained now only a few yellow openings, by which the sun sent
down its last rays in sheaves. And the water, greenish now, was
veined more and more with white slaver.
By midday, the _Marie_ had assumed completely her foul-weather trim;
with closed hatches and reefed sails, she bounded supple and light;
amid the disorder that was commencing she had the air of playing as
play the porpoises whom storms amuse. With only her foresail spread,
she ran before the wind, according to the nautical expression which
describes this particular trim.
Public-domain text, read in full here on John Shaqi.
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