American prose literature; English prose literature; Narration (Rhetoric)
Accounts of travel fall broadly into two classes. The first are
those records of explorations undertaken for the sake of scientific
information. Such accounts are under obligation to be absolutely
accurate in minor as well as in major matters, and are to be
respected first and enjoyed afterward, if, by a rare chance, the
scientist is an artist as well as a geographer.
The second class consists of those accounts of travel which are
read for pleasure and for general information rather than for exact
data, which interest us in the traveler as much as in his travels,
and which are distinctly literary because of the personal comments,
reactions, and reflections of the author. This does not mean that
such books are not accurate within the limits of their purpose, but,
rather, that accuracy alone is not sufficient to qualify a book
for a place on this list. The account must be true to the country
described, but need not haggle over details in the experience of the
writer. To alter geographical facts or details of climate would
make the author ridiculous, but to open with the most picturesque
approach to the spot whether or not that is the way in which he
actually entered it for the first time is to serve the reader as he
has a right to demand. To trail a frowsy party of tourists through
many pages because they dogged the author’s footsteps is unkind, but
to introduce a purely imaginary companion whose comments and store
of information add pleasure is perfectly in keeping with the task in
hand.
It seems almost unnecessary to say that the first requirement for
writing successful travel sketches is to be a good traveler. An
honest pleasure and a swinging readiness in meeting the chances of
the road must somehow become apparent in the writing, not, indeed,
by protestations of delight, but rather through the tone of zestful
appreciation of new flavors in living. A pessimist or a misanthrope
may be endured among the comforts of home, but no one chooses him
as a traveling companion either in the flesh or on paper. The
distinguished foreigner whose record of his experiences with American
trains is a tirade against the inconvenience of shaving on a Pullman
exemplifies the lack of that urbanity, the presence of which so
delights us in Mr. Street’s account of his adjustment to Japanese
customs and conveniences. It is not necessary, of course, that all
discomforts be denied or suppressed for the sake of a Polly-Anna-ish
happiness--such experiences are a part of almost all travel, but they
must be treated with that good grace with which all of us wish to
endure the pin pricks of existence both at home and abroad.
Public-domain text, read in full here on John Shaqi.
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