American prose literature; English prose literature; Narration (Rhetoric)
When one grew old and wild and ran up bills, one somehow never ran
them up with Gessler Brothers. It would not have seemed becoming to
go in there and stretch out one’s foot to that blue iron-spectacled
glance, owing him for more than--say--two pairs, just the comfortable
reassurance that one was still his client.
For it was not possible to go to him very often--his boots lasted
terribly, having something beyond the temporary--some, as it were,
essence of boot stitched into them.
One went in, not as into most shops, in the mood of: “Please serve
me, and let me go!” but restfully, as one enters a church; and,
sitting on the single wooden chair, waited--for there was never
anybody there. Soon, over the top edge of that sort of well--rather
dark, and smelling soothingly of leather--which formed the shop,
there would be seen his face, or that of his elder brother, peering
down. A guttural sound, and the tip-tap of bast slippers beating the
narrow wooden stairs, and he would stand before one without coat, a
little bent, in leather apron, with sleeves turned back, blinking--as
if awakened from some dream of boots, or like an owl surprised in
daylight and annoyed at this interruption.
And I would say: “How do you do, Mr. Gessler? Could you make me a
pair of Russia leather boots?”
Without a word he would leave me, retiring whence he came, or into
the other portion of the shop, and I would continue to rest in the
wooden chair, inhaling the incense of his trade. Soon he would come
back, holding in his thin, veined hand a piece of gold-brown leather.
With eyes fixed on it, he would remark: “What a beautiful biece!”
When I, too, had admired it, he would speak again. “When do you wand
dem?” And I would answer: “Oh! As soon as you conveniently can.” And
he would say: “To-morrow fordnighd?” Or if he were his elder brother:
“I will ask my brudder!”
Then I would murmur: “Thank you! Good-morning, Mr. Gessler.”
“Goot-morning!” he would reply, still looking at the leather in his
hand. And as I moved to the door, I would hear the tip-tap of his
bast slippers restoring him, up the stairs, to his dream of boots.
But if it were some new kind of foot-gear that he had not yet made
me, then indeed he would observe ceremony--divesting me of my boot
and holding it long in his hand, looking at it with eyes at once
critical and loving, as if recalling the glow with which he had
created it, and rebuking the way in which one had disorganized this
masterpiece. Then, placing my foot on a piece of paper, he would two
or three times tickle the outer edges with a pencil and pass his
nervous fingers over my toes, feeling himself into the heart of my
requirements.
I cannot forget that day on which I had occasion to say to him: “Mr.
Gessler, that last pair of town walking-boots creaked, you know.”
He looked at me for a time without replying, as if expecting me to
withdraw or qualify the statement, then said:
“Id shouldn’d ’ave greaked.”
“It did, I’m afraid.”
Public-domain text, read in full here on John Shaqi.
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