American prose literature; English prose literature; Narration (Rhetoric)
I had given those boots up, when one evening they came. Opening the
parcel, I set the four pairs out in a row. Then one by one I tried
them on. There was no doubt about it. In shape and fit, in finish
and quality of leather, they were the best he had ever made me. And
in the mouth of one of the Town walking-boots I found his bill. The
amount was the same as usual, but it gave me quite a shock. He had
never before sent it in till quarter day. I flew down-stairs, and
wrote a cheque, and posted it at once with my own hand.
A week later, passing the little street, I thought I would go in
and tell him how splendidly the new boots fitted. But when I came
to where his shop had been, his name was gone. Still there, in the
window, were the slim pumps, the patent leathers with cloth tops, the
sooty riding boots.
I went in, very much disturbed. In the two little shops--again made
into one--was a young man with an English face.
“Mr. Gessler in?” I said.
He gave me a strange, ingratiating look.
“No, sir,” he said, “no. But we can attend to anything with pleasure.
We’ve taken the shop over. You’ve seen our name, no doubt, next door.
We make for some very good people.”
“Yes, yes,” I said: “but Mr. Gessler?”
“Oh!” he answered; “dead.”
“Dead! But I only received these boots from him last Wednesday week.”
“Ah!” he said; “a shockin’ go. Poor old man starved ’imself.”
“Good God!”
“Slow starvation, the doctor called it! You see he went to work in
such a way! Would keep the shop on; wouldn’t have a soul touch his
boots except himself. When he got an order, it took him such a time.
People won’t wait. He lost everybody. And there he’d sit, goin’ on
and on--I will say that for him--not a man in London made a better
boot! But look at the competition! He never advertised! Would ’ave
the best leather, too, and do it all ’imself. Well, there it is. What
could you expect with his ideas?”
“But starvation----!”
“That may be a bit flowery, as the sayin’ is--but I know myself he
was sittin’ over his boots day and night, to the very last. You see I
used to watch him. Never gave ’imself time to eat; never had a penny
in the house. All went in rent and leather. How he lived so long I
don’t know. He regular let his fire go out. He was a character. But
he made good boots.”
“Yes,” I said, “he made good boots.”
And I turned and went out quickly, for I did not want that youth to
know that I could hardly see.
John Galsworthy, _The Inn of Tranquillity_. By
permission of Charles Schribner’s Sons, the
authorized publishers.
SELECTED BIBLIOGRAPHY OF SKETCHES
The editors have found these additional selections useful in teaching
the writing of sketches:
Audoux, Marguerite. _The Queen’s Barge; Foals._ _Everybody’s
Magazine_, August 1912, Vol. 27.
Belloc, Hilaire. _The Path to Rome._ Longmans Green & Company.
Public-domain text, read in full here on John Shaqi.
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