American prose literature; English prose literature; Narration (Rhetoric)
That night Abbie sat in the parlor window longer than usual. It was
a white night; wet snow had been falling heavily all day. Some time
between eight and nine o’clock she arose from her chair and went
into the long, narrow dining-room. The pat-pat of her slippered feet
aroused Old Chris from his nodding over the _Farm Herald_. Finding
that the hot air was not coming up strong through the register over
which he sat, the old man slowly pushed his wool-socked feet into
felt-lined overshoes and tramped down into the cellar, picking up the
kitchen lamp as he went. Abbie followed as far as the kitchen. The
pungent dry-wood smell that came up the stairs when Old Chris swung
open the door of the wood cellar made her sniff. She heard the sounds
as he loaded the wheelbarrow with the sticks of quartered hardwood;
the noise of the wheel bumping over the loose boards as he pushed his
load into the furnace-room. She went back into the parlor and stood
over the register. Hollow sounds came up through the pipe as Old
Chris leveled the ashes in the fire-box and threw in the fresh sticks.
When Old Chris came up from the cellar and went out onto the porch to
draw up fresh water for the night, Abbie went back into the kitchen.
“It’s snowin’ hard out,” said Old Chris.
“Yes,” Abbie answered.
She led the way back into the dining room. Old Chris placed the
kitchen lamp on the stand under the fruit picture and waited. For
a few moments they stood in the blast of hot air rising from the
register. Then Abbie took up the larger of the two lamps. Through the
bare, high-ceilinged rooms she went, opening and closing the heavy
doors; on through the cold, empty hall, up the stairs, into the South
bedroom. While she was closing the blinds she heard Old Chris stumble
up the back stairs and into the chamber he had occupied ever since
she could remember.
The night after Old Chris had gone, Abbie took the brass dinner-bell
from the pantry shelf and set it on the chair beside her bed. Over
the back of the chair she placed her heavy, rabbit-lined coat; it
would be handy if any one disturbed her. Once or twice when she
heard sounds, she put out her hand and touched the bell; but the
sounds did not recur. The next night she tried sleeping in the
down-stairs bedroom. The blue-and-gray carpet, the blue fixings on
the bureau and commode, the blue bands around the wash-bowl and
pitcher--all faded and old-looking--reminded her of her mother and
father, and would not let her sleep. On the wall in front of her was
a picture in a black frame of a rowboat filled with people. It was
called “From Shore to Shore.” Trying not to see it, her eyes were
caught by a black and white print in a gilt frame, called “The First
Steps.” How she had loved the picture when she was a little girl;
her mother had explained it to her many times--the bird teaching its
little ones to fly; the big, shaggy dog encouraging its waddling
puppies; the mother coaxing her baby to walk alone.
Public-domain text, read in full here on John Shaqi.
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