American prose literature; English prose literature; Narration (Rhetoric)
It had seemed an approvable business to win love incognito, according
to the example of many ancient emperors, but in practice he had
tripped over an ugly outgrowth from the legendary custom. The girl
hated him, there was no doubt about it; and it was equally certain he
loved her. Particularly caustic was the reflection that a twitch of
his finger would get him Katharine as his wife, for before long the
Queen-Regent was again attempting secret negotiations to bring this
about. Yes, he could get the girl’s body by a couple of pen-strokes,
and had he been older that might have contented him: as it was,
what he wanted was to rouse the look her eyes had borne in Chartres
orchard that tranquil morning, and this one could not readily secure
by fiddling with seals and parchments. You see his position: this
high-spirited young man now loved the Princess too utterly to take
her on lip-consent, and this marriage was now his one possible
excuse for ceasing from victorious warfare. So he blustered, and
the fighting recommenced; and he slew in a despairing rage, knowing
that by every movement of his arms he became to her so much the more
detestable.
Then the Vicomte de Montbrison, as you have heard, betrayed France,
and King Henry began to strip the French realm of provinces as you
peel the layers from an onion. By the May of the year of grace 1420
France was, and knew herself to be not beaten but demolished. Only
a fag-end of the French army lay entrenched at Troyes, where King
Charles and his court awaited Henry’s decision as to the morrow’s
action. If he chose to destroy them root and branch, he could; and
they knew such mercy as was in the man to be quite untarnished by
previous using. Sire Henry drew up a small force before the city and
made no overtures toward either peace or throat-cutting.
This was the posture of affairs on the evening of the Sunday after
Ascension day, when Katharine sat at cards with her father in his
apartments at the Hôtel de ville. The King was pursing his lips
over an alternative play, when somebody began singing below in the
courtyard.
Sang the voice:
“I can find no meaning in life,
That have weighed the world,--and it was
Abundant with folly, and rife
With sorrows brittle as glass,
And with joys that flicker and pass
Like dreams through a fevered head;
And like the dripping of rain
In gardens naked and dead
Is the obdurate thin refrain
Of our youth which is presently dead.
“And she whom alone I have loved
Looks ever with loathing on me,
As one she hath seen disproved
And stained with such smirches as be
Not ever cleansed utterly;
And is loth to remember the days
When Destiny fixed her name
As the theme and the goal of my praise;
And my love engenders shame,
And I stain what I strive for and praise.
Public-domain text, read in full here on John Shaqi.
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