American prose literature; English prose literature; Narration (Rhetoric)
Katharine raised straining arms above her head in a hard gesture
of despair. “You have conquered. You know that I love you. Oh, if
I could find words to voice my shame, to shriek it in your face, I
could better endure it! For I love you. With all my body and heart
and soul I love you. Mine is the agony, for I love you! and presently
I shall stand quite still and see little Frenchmen scramble about you
as hounds leap upon a stag, and afterward kill you. And after that
I shall live! I preserve France, but after I have slain you, Henry,
I must live. Mine is the agony, the enduring agony.” She stayed
motionless for an interval. “God, God! let me not fail!” Katharine
breathed; and then: “O fair sweet friend, I am about to commit a vile
action, but it is for the sake of the France that I love next to God.
As Judith gave her body to Holofernes, I crucify my heart for the
preservation of France.” Very calmly she struck upon the gong.
If she could have found any reproach in his eyes during the ensuing
silence, she could have borne it; but there was only love. And with
all that, he smiled like one who knew the upshot of this matter.
A man-at-arms came into the room. “Germain--” said Katharine, and
then again, “Germain--” She gave a swallowing motion and was silent.
When she spoke it was with crisp distinctness. “Germain, fetch a
harp. Messire Alain here is about to play for me.”
At the man’s departure she said: “I am very pitiably weak. Need you
have dragged my soul, too, in the dust? God heard my prayer, and you
have forced me to deny His favor, as Peter denied Christ. My dear, be
very kind to me, for I come to you naked of honor.” She fell at the
King’s feet, embracing his knees. “My master, be very kind to me, for
there remains only your love.”
He raised her to his breast. “Love is enough,” he said.
She was conscious, as he held her thus, of the chain mail under
his jerkin. He had come armed; he had his soldiers no doubt in the
corridor; he had tricked her, it might be from the first. But that
did not matter now.
“Love is enough,” she told her master docilely.
Next day the English entered Troyes and in the cathedral church these
two were betrothed. Henry was there magnificent in a curious suit of
burnished armor; in place of his helmet-plume he wore a fox-brush
ornamented with jewels, which unusual ornament afforded great matter
of remark among the busybodies of both armies.
From _Chivalry_ by James Branch Cabell. By
permission of the publishers, Robert M. McBride
and Company.
SELECTED BIBLIOGRAPHY OF HISTORICAL FICTION
The editors have found these additional selections very useful in
teaching the writing of historical fiction:
Barrington, E. _Fair Rosemonde._ _The Atlantic Monthly_, June, 1921.
Cabell, James Branch. _Chivalry, The Rat-Trap._ Robert M. McBride
and Company.
Public-domain text, read in full here on John Shaqi.
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