American prose literature; English prose literature; Narration (Rhetoric)
Then Thomas heard the marvellous antiphon repeated in the bitter
darkness outside; and that music, he knew, must be the response
of the galleries of stone kings and queens, of abbots and virgin
martyrs, over the western portals, and of the monstrous gargoyles
along the eaves.
When the music ceased in the outer darkness, it was taken up again in
the interior of the Minster.
At last there came one stupendous united cry of all the singers, and
in that cry even the organ-drone of the crypt, and the clamour of the
brute stones of pavement and pillar, of wall and roof, broke into
words articulate. And the words were these:
_Per singulos dies, benedicimus Te._
Day by day: we magnify Thee,
And we worship Thy name: ever world without end.
As the wind of the summer changes into the sorrowful wail of the
yellowing woods, so the strains of joyous worship changed into a wail
of supplication; and as he caught the words, Thomas too raised his
voice in wild entreaty:
_Miserere nostri, Domine, miserere nostri._
O Lord, have mercy upon us: have mercy upon us.
And then his senses failed him, and he sank to the
ground in a long swoon.
When he came to himself all was still, and all was dark save for the
little yellow flower of light in the sanctuary lamp.
As he crept back to his cell, he saw with unsealed eyes how
churlishly he had grudged God the glory of man’s genius and the
service of His dumb creatures, the metal of the hills, and the stone
of the quarry, and the timber of the forest; for now he knew that at
all seasons, and whether men heard the music or not, the ear of God
was filled by day and by night with an everlasting song from each
stone of the vast Minster:
We magnify Thee,
And we worship Thy name: ever world without end.
By permission, from William Canton, _A Child’s
Book of Saints_. Copyright by E. P. Dutton &
Company.
JUGGLER TO OUR-LADY
ANATOLE FRANCE
I
In the time of King Louis, there lived in France a poor juggler,
native of Compiègne, named Barnabas, who went among the villages
doing feats of strength and skill. On market days he would spread out
on the public square an old carpet very much worn, and, after having
attracted the children and the gazing bumpkins by some suitable
pleasantries which he had adopted from an old juggler and which he
never changed at all, he would assume grotesque attitudes and balance
a plate on his nose.
Public-domain text, read in full here on John Shaqi.
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