The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
He proceeds:--"De toutes les manieres d'attacher l'un a l'autre deux
corps flexibles, celle qui se pratique avec l'aiguille est une des
plus universellement repandues: aussi distingue-t-on un grand nombre
d'aiguilles differentes. On a les aiguilles a coudre, ou de tailleur;
les aiguilles de chirurgie, d'artillerie, de bonnetier, ou faiseur de
bas au metier, d'horloger, de cirier, de drapier, de gainier, de
perruquier, de coiffeuse, de faiseur de coiffe a perruques, de piqueur
d'etuis, tabatieres, et autres semblables ouvrages; de sellier,
d'ouvrier en soie, de brodeur, de tapissier, de chandelier,
d'emballeur; a matelas, a empointer, a tricoter, a enfiler, a presser,
a brocher, a relier, a natter, a boussole ou aimantee, &c. &c."
Needles are said to have been first made in England by a native of
India, in 1545, but the art was lost at his death; it was, however,
recovered by Christopher Greening, in 1560, who was settled with his
three children, Elizabeth, John, and Thomas, by Mr. Damar, ancestor of
the present Lord Milton, at Long Crendon, in Bucks, where the
manufactory has been carried on from that time to the present
period.[115]
Thus our readers will remark, that until far on in the sixteenth
century, there was not a needle to be had but of foreign manufacture;
and bearing this circumstance in mind, they will be able to enter more
fully into the feelings of those who set such inestimable value on a
needle. And, indeed, _if_ all we are told of them be true, needles
could not be too highly esteemed. For instance, we were told of an
old woman who had used one needle so long and so constantly for
mending stockings, that at last the needle was able to do them of
itself. At length, and while the needle was in the full perfection of
its powers, the old woman died. A neighbour, whose numerous "olive
branches" caused her to have a full share of matronly employment,
hastened to possess herself of this domestic treasure, and gathered
round her the weekly accumulation of sewing, not doubting but that
with her new ally, the wonder-working needle, the unwieldy work-basket
would be cleared, "in no time," of its overflowing contents. But even
the all-powerful needle was of no avail without thread, and she
forthwith proceeded to invest it with a long one. But thread it she
could not; it resisted her most strenuous endeavours. In vain she
turned and re-turned the needle, the eye was plain enough to be seen;
in vain she cut and screwed the thread, she burnt it in the candle,
she nipped it with the scissars, she rolled it with her lips, she
twizled it between her finger and thumb: the pointed end was fine as
fine could be, but enter the eye of the needle it would not. At
length, determined not to relinquish her project whilst any hope
remained of its accomplishment, she borrowed a magnifying glass to
examine the "little weapon" more accurately. And there, "large as life
and twice as natural," a pearly gem, a translucent drop, a crystal
Public-domain text, read in full here on John Shaqi.
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