The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
"Every goblin of ignorance" (says he) "did not vanish at the first
glimmerings of the morning of science. Reason suffered a few demons
still to linger, which she chose to retain in her service under the
guidance of poetry. Men believed, or were willing to believe, that
spirits were yet hovering around, who brought with them _airs from
heaven, or blasts from hell_; that the ghost was duly relieved from
his prison of torment at the sound of the curfew, and that fairies
imprinted mysterious circles on the turf by moonlight. Much of this
credulity was even consecrated by the name of science and profound
speculation. Prospero had not yet _broken and buried his staff_, nor
_drowned his book deeper than did ever plummet sound_. It was now that
the alchemist and the judicial astrologer conducted his occult
operations by the potent intercourse of some preternatural being, who
came obsequious to his call, and was bound to accomplish his severest
services, under certain conditions, and for a limited duration of
time. It was actually one of the pretended feats of these fantastic
philosophers to evoke the queen of the fairies in the solitude of a
gloomy grove, who, preceded by a sudden rustling of the leaves,
appeared in robes of transcendant lustre. The Shakspeare of a more
instructed and polished age would not have given us a magician
darkening the sun at noon, the sabbath of the witches, and the
cauldron of incantation."
It were endless, and indeed out of place here, to attempt to specify
the numberless minor superstitions to which this credulous tendency of
the public mind gave birth or continuation; or the marvels of
travellers,--as the Anthropophagi, the Ethiops with four eyes, the
Hippopodes with their nether parts like horses, the Arimaspi with one
eye in the forehead, and the Monopoli who have no head at all, but a
face in their breast--which were all devoutly credited. One potent
charm, however, we are constrained to particularise, since its
infallibility was mainly dependent on the needlewoman's skill. It was
a waistcoat which rendered its owner invulnerable: we believe that if
duly prepared it would be found proof not only against "silver
bullets," but also against even the "charmed bullet" of German
notoriety. Thus runs the charm:--
"On Christmas daie at night, a thread must be sponne of flax, by a
little virgine girle, in the name of the divell; and it must be by hir
woven, and also _wrought with the needle_. In the brest or forepart
thereof must be made _with needleworke_ two heads; on the head at the
right side must be a hat and a long beard, and the left head must have
on a crowne, and it must be so horrible that it maie resemble
Belzebub; and on each side of the wastcote must be _wrought_ a
crosse."
Public-domain text, read in full here on John Shaqi.
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