The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
At the time of the Union with Ireland, when considerable repairs and
alterations were made here, these magnificent tapestries were taken
down, cleaned, and replaced, with the addition of large frames of dark
stained wood, which set off the work and colouring to advantage. They
formed a series of ten pictures, round which portraits of the
distinguished officers who commanded the fleet were wrought into a
border.
With a prescience, which might now almost seem prophetic, Mr. John
Pine, engraver, published in 1739 a series of plates taken from these
tapestries; and "because," says he, "time, or accident, or moths may
deface these valuable shadows, we have endeavoured to preserve their
likeness in the preceding prints, which, by being multiplied and
dispersed in various hands, may meet with that security from the
closets of the curious, which the originals must scarce always hope
for, even from the sanctity of the place they are kept in."
"On the 17th day of July, 1588, the English discovered the Spanish
fleet with lofty turrets like castles, in front like a half moon, the
wing thereof spreading out about the length of seven miles, sailing
very slowly, though with full sails, the winds being as it were tired
with carrying them, and the ocean groaning under the weight of them."
This forms the subject of the first tableau. The English commanders
suffered the Spaniards to pass them unmolested, in order that they
might hang upon their rear, and harass them when they should be
involved in the Channel; for the English navy were unable to confront
such a power in direct and close action. The second piece represents
them thus, near Fowey, the English coast displayed in the back-ground,
diversified perhaps somewhat too elaborately into hill and dale, and
the foliage scattered somewhat too regularly in lines over each hill,
but very pretty nevertheless. A small village with its church and
spire appears just at the water edge, Eddystone lighthouse lifts its
head above the waters, and, fit emblem of the patriotism which now
burned throughout the land, and even glowed on the waters, a huge sea
monster uprears itself in threatening attitude against the invading
host, and shows a countenance hideous enough to scare any but
Spaniards from its native shores.
No. 3 represents the first engagement between the hostile fleets, and
also the subsequent sailing of the Spanish Armada up the channel,
closely followed by the English, whose ships were so much lighter,
that in a running warfare of this kind they had greatly the advantage.
The sea is alive too with dolphins and other strange fish, with right
British hearts, as it has been said that "they seemed to oppose
themselves with fierce and grim looks to the progress of the Spanish
fleet." The view of the coast here is very good; and, where it retires
from Start Point so as to form a bay or harbour, the perspective is
really admirably indicated by two vessels dimly defined in the
horizon.
Public-domain text, read in full here on John Shaqi.
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