The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
The art of thus illuminating MSS., now entirely lost, had attained the
highest degree of perfection, and is, indeed, of ancient origin. In
the remotest times the common colours of black and white have been
varied by luxury and taste. Herodotus and Diodorus Siculus mention
purple and yellow skins, on which MSS. were written in gold and
silver; and amongst the eastern nations rolls of this kind (that is
gold and silver on purple), exquisitely executed, are found in
abundance, but of a later date. Still they appear to have been
familiar with the practice at a much more remote period; and it is
probable that the Greeks acquired this art from Egypt or India. From
the Greeks it would naturally pass to the Latins, who appear to have
been acquainted with it early in the second century. The earliest
specimen of purple or rose-coloured vellum is recorded in the life of
the Emperor Maximinus the younger, to whom, in the commencement of the
third century, his mother made a present of the poems of Homer,
written on purple vellum in gold letters. Such productions were,
however, at this time very rare. The celebrated Codex Argenteus of
Ulphilas, written in silver and gold letters on a purple ground, about
360, is probably the most ancient existing specimen of this
magnificent mode of calligraphy. In the fourth century it had become
more common: many ecclesiastical writers allude to it, and St. Jerome
especially does so; and the following spirited dialogue has reference
to his somewhat condemnatory allusions.
"Purple vellum Greek MSS.," says Breitinger, "if I remember rightly,
are scarcer than white crows!"
BELINDA. "Pray tell us 'all about them,' as the children say."
PHILEMON. "Well, then, at your next court visit, let your gown rival
the emblazoned aspect of these old purple vellums, and let stars of
silver, thickly 'powdered' thereupon, emulate, if they dare, the
silver capital Greek letters upon the purple membranaceous fragments
which have survived the desolations of time! You see, I do not speak
_coldly_ upon this picturesque subject!"
ALIMANSA. "Nor do I feel precisely as if I were in the _frigid_ zone!
But proceed and expatiate."
PHILEMON. "The field for expatiating is unluckily very limited. The
fact of the more ancient MSS. before noticed, the _Pentateuch_ at
_Vienna_, the fragment of the Gospels in the British Museum, with a
Psalter or two in a few libraries abroad, are all the MSS. which just
now occur to me as being distinguished by a _purple tint_, for I
apprehend little more than a _tint_ remains. Whether the white or the
purple vellum be the more ancient, I cannot take upon me to determine;
but it is right you should be informed that St. Jerom denounces as
_coxcombs_, all those who, in his own time, were so violently attached
to your favourite purple colour."
Public-domain text, read in full here on John Shaqi.
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