The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
"One evening, about the latter end of May, she was sitting in the
middle of her room, relating several remarkable occurrences of the
day. Four wax candles were placed upon her toilet; the first went out
of itself--I relighted it; shortly afterwards the second, and then the
third, went out also: upon which the queen, squeezing my hand with an
emotion of terror, said to me, 'Misfortune has power to make us
superstitious; if the fourth taper go out like the first, nothing can
prevent my looking upon it as a fatal omen!'--The fourth taper went
out."
At an earlier period Goethe seems, with somewhat of a poet's
inspiration, to have read a melancholy fate for her. When young he was
completing his studies at Strasburg. In an isle in the middle of the
Rhine a pavilion had been erected, intended to receive Marie
Antoinette and her suite, on her way to the French court.
"I was admitted into it," says Goethe, in his Memoirs: "on my entrance
I was struck with the subject depicted in the tapestry with which the
principal pavilion was hung, in which were seen Jason, Creusa, and
Medea; that is to say, a representation of the most fatal union
commemorated in history. On the left of the throne the bride,
surrounded by friends and distracted attendants, was struggling with a
dreadful death; Jason, on the other side, was starting back, struck
with horror at the sight of his murdered children; and the Fury was
soaring into the air in her chariot drawn by dragons. Superstition
apart, this strange coincidence was really striking. The husband, the
bride, and the children, were victims in both cases: the fatal omen
seemed accomplished in every point."
The following notices of her imprisonment would but be spoiled by any
alteration of language. We shall perceive that one of her greatest
troubles in prison, before her separation from the king and the
dauphin, was the being deprived of her sewing implements.
"During the early part of Louis XVI.'s imprisonment, and while the
treatment of him and his family was still human, his majesty employed
himself in educating his son; while the queen, on her part, educated
her daughter. Then they passed some time in needlework, knitting, or
tapestry-work.
"At this time the royal family were in great want of clothes, insomuch
that the princesses were employed in mending them every day; and
Madame Elizabeth was often obliged to wait till the king was gone to
bed, in order to have his to repair. The linen they brought to the
Tower had been lent them by friends, some by the Countess of
Sutherland, who found means to convey linen and other things for the
use of the dauphin. The queen wished to write a letter to the countess
expressive of her thanks, and to return some of these articles, but
her majesty was debarred from pen and ink; and the clothes she
returned were stolen by her jailors, and never found their way to
their right owner.
Public-domain text, read in full here on John Shaqi.
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