The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
From that moment the evenings were employed at Malmaison in making
lint, and the empress yielded to none in activity at this work.
Few of my readers will have accompanied me to this point without
anticipating the name with which these slight notices of royal
needlewomen must conclude--a name which all know, and which, knowing,
all reverence as that of a dignified princess, a noble and admirable
matron--Adelaide, our Dowager Queen. It was hers to reform the morals
of a court which, to our shame, had become licentious; it was hers to
render its charmed circle as pure and virtuous as the domestic hearth
of the most scrupulous British matron; it was hers to combine with
the chilling etiquette of regal state the winning virtues of private
life, and to weave a wreath of domestic virtues, social charities, and
beguiling though simple occupations, round the stately majesty of
England's throne.
The days are past when it would be either pleasurable or profitable
for the Queen of the British empire to spend her days, like Matilda or
Katharine, "in poring over the interminable mazes of tapestry;" but it
is well known that Queen Adelaide, and, in consequence of her
Majesty's example, those around her, habitually occupied their leisure
moments in ornamental needlework; and there have been, of late years,
few Bazaars throughout the kingdom, for really beneficent purposes,
which have not been enriched by the contributions of the Queen
Dowager--contributions ever gladly purchased at a high price, not for
their intrinsic worth, but because they had been wrought by a hand
which every Englishwoman had learnt to respect and love.
FOOTNOTES:
[129] This sacred standard was taken by the Saxons in Devonshire, in a
fortunate onset, in which they slew one of the Sea-kings with eight
hundred of his followers. So superstitious a reverence was attached to
this ensign that its loss is said to have broken the spirit of even
these ruthless plunderers. It was woven by the sisters of Inguar and
Ubba, who divined by it. If the Raven (which was worked on it) moved
briskly in the wind, it was a sign of victory, but if it drooped and
hung heavily, it was supposed to prognosticate discomfiture.
[130] Von Raumer's Contributions.
CHAPTER XXV.
ON MODERN NEEDLEWORK.
"Our Country everywhere is fild
With Ladies, and with Gentlewomen, skild
In this rare Art."
Taylor.
"For here the needle plies its busy task,
The pattern grows, the well-depicted flower
Wrought patiently into the snowy lawn,
Unfolds its bosom; buds, and leaves, and sprigs,
And curling tendrils gracefully dispos'd,
Follow the nimble fingers of the fair;
A wreath that cannot fade."
Cowper.
Public-domain text, read in full here on John Shaqi.
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