The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
It did not, however, dismay him. Duke William, as may be supposed, did
not tamely submit to a usurpation of what he considered, or affected
to consider, his own dominions--a circumstance which we see an envoy,
probably from his party in England, makes him acquainted with. He
holds a council, seemingly an earnest and animated one, which
evidently results in the immediate preparation of a fleet; of which
the tapestry delineates the various stages and circumstances, from the
felling of the timber in its native woods to the launching of the
vessels, stored and fully equipped in arms, provisions, and heroes for
invasion and conquest.
William in this expedition received unusual assistance from his own
tributary chiefs, and from various other allies, who joined his
standard, and without whom, indeed, he could not, with any chance of
success, have made his daring attempt. A summer and autumn were spent
in fitting-up the fleet and collecting the forces, "and there was no
knight in the land, no good serjeant, archer, nor peasant of stout
heart, and of age for battle, that the duke did not summon to go with
him to England; promising rents to the vavassors, and honours to the
barons." Thus was an armament prepared of seven hundred ships, but the
one which bore William, the hero of the expedition, shone proudly
pre-eminent over the rest. It was the gift of his affectionate queen.
It is represented in the canvas of larger size than the others: the
mast, surmounted by a cross, bears the banner which was sent to
William by the Pope as a testimony of his blessing and approbation. On
this mast also a beacon-light nightly blazed as a _point d'approche_
of the remainder of the fleet. On the poop was the figure of a boy
(supposed to be meant for the conqueror's youngest son), gilded, and
looking earnestly towards England, holding in one hand a banner, in
the other an ivory horn, on which he is sounding a joyful reveillee.
But long the fleet waited at St. Valeri for a fair wind, until the
barons became weary and dispirited. Then they prayed the convent to
bring out the shrine of St. Valeri and set it on a carpet in the
plain; and all came praying the holy relics that they might be allowed
to pass over sea. They offered so much money, that the relics were
buried beneath it; and from that day forth they had good weather and a
fair wind. "Than Willyam thanked God and Saynt Valary, and toke
shortly after shyppynge, and helde his course towarde Englande."
On the arrival of the fleet in England a banquet is prepared. The
shape of the table at which William sits has been the theme of some
curious remarks by Father Montfaucon, which have been copied by
Ducarel and others. It is in form of a half-moon, and was called by
the Romans _sigma_, from the Greek +s+. It was calculated only for
seven persons; and a facetious emperor once invited eight, on purpose
to raise a laugh against the person for whom there would be no place.
Public-domain text, read in full here on John Shaqi.
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