The Inness room at the Chicago Art Institute is another school for the
meditative producer, if he would evolve his tribute to France on American
soil. Though no photoplay tableau has yet approximated the brush of
Inness, why not attempt to lead Jeanne through an Inness landscape? The
Bastien-Lepage trees are in France. But here is an American world in
which one could see visions and hear voices. Where is the inspired camera
that will record something of what Inness beheld?
Thus much for the atmosphere and trappings of our Jeanne d'Arc scenario.
Where will we get our story? It should, of course, be written from the
ground up for this production, but as good Americans we would probably
find a mass of suggestions in Mark Twain's Joan of Arc.
Quite recently a moving picture company sent its photographers to
Springfield, Illinois, and produced a story with our city for a
background, using our social set for actors. Backed by the local
commercial association for whose benefit the thing was made, the
resources of the place were at the command of routine producers.
Springfield dressed its best, and acted with fair skill. The heroine was
a charming débutante, the hero the son of Governor Dunne. The Mine
Owner's Daughter was at best a mediocre photoplay. But this type of
social-artistic event, that happened once, may be attempted a hundred
times, each time slowly improving. Which brings us to something that is
in the end very far from The Mine Owner's Daughter. By what scenario
method the following film or series of films is to be produced I will not
venture to say. No doubt the way will come if once the dream has a
sufficient hold.
I have long maintained that my home-town should have a goddess like
Athena. The legend should be forthcoming. The producer, while not
employing armies, should use many actors and the tale be told with the
same power with which the productions of Judith of Bethulia and The
Battle Hymn of the Republic were evolved. While the following story may
not be the form which Springfield civic religion will ultimately take, it
is here recorded as a second cousin of the dream that I hope will some
day be set forth.
Public-domain text, read in full here on John Shaqi.
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