Children -- Books and reading; Children's literature -- Bibliography; Children's stories -- Bibliography; Storytelling
"That is the most delightful coquetting I have ever known," said the
ladies sitting round, and they took water into their mouths, in order
to gurgle when anyone spoke to them, and they really thought they were
like the Nightingale. Even the footmen and the chambermaids sent word
that they were satisfied, and that means a great deal, for they are
always the most difficult people to please. Yes, indeed, there was no
doubt as to the Nightingale's success. It was to stay at Court, and
have its own cage, with liberty to go out twice in the daytime, and
once at night. Twelve footmen went out with it, and each held a silk
ribbon which was tied to the bird's leg, and which they held very
tightly. There was not much pleasure in an outing of that sort. The
whole town was talking about the wonderful bird, and when two people
met, one said: "Nightin--" and the other said "gale," and they sighed
and understood one another. Eleven cheese-mongers' children were called
after the bird, though none of them could sing a note.
One day a large parcel came for the Emperor. Outside was written the
word: "Nightingale."
"Here we have a new book about our wonderful bird," said the Emperor.
But it was not a book; it was a little work of art which lay in a box--
an artificial Nightingale, which looked exactly like the real one, but
it was studded all over with diamonds, rubies and sapphires. As soon
as you wound it up, it could sing one of the songs which the real bird
sang, and its tail moved up and down and glittered with silver and
gold. Round its neck was a ribbon on which was written: "The Emperor
of Japan's Nightingale is poor indeed, compared with the Emperor
of China's."
"That is delightful," they all said, and on the messenger who had
brought the artificial bird, they bestowed the title of "Imperial
Nightingale-Bringer-in-Chief."
"Let them sing together, and _what_ a duet that will be!"
And so they had to sing, but the thing would not work, because the
real Nightingale could only sing in its own way, and the artificial
Nightingale went by clockwork.
"That is not its fault," said the band-master. "Time is its strong
point and it has quite my method."
Then the artificial Nightingale had to sing alone. It had just as
much success as the real bird, and it was so much handsomer to look
at; it glittered like bracelets and breast-pins. It sang the same
tune three and thirty times, and still it was not tired; the people
would willingly listen to the whole performance over again from the
start, but the Emperor suggested that the real Nightingale should sing
for a while--where was it? Nobody had noticed it had flown out
of the open window back to its green woods.
"But what is the meaning of all this?" said the Emperor. All the
courtiers railed at the Nightingale and said it was a most ungrateful
creature.
Public-domain text, read in full here on John Shaqi.
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