Children -- Books and reading; Children's literature -- Bibliography; Children's stories -- Bibliography; Storytelling
To take a concrete example: Suppose, in giving an account of the life
of Napoleon, after enlarging upon his campaigns, his European policy,
his indomitable will, one were suddenly to give an idea of his many-
sidedness by relating how he actually found time to compile a catechism
which was used for some years in the elementary schools of France. What
sidelights might be thrown in this way on such characters as Nero,
Caesar, Henry VIII, Luther, Goethe!
To take one example from these: Instead of making the whole career of
Henry VIII center round the fact that he was a much-married man, could
we not present his artistic side and speak of his charming contributions
to music?
So much for the history lessons. But could not the dramatic form and
interest be introduced into our geography lessons? Think of the
romance of the Panama Canal, the position of Constantinople, as
affecting the history of Europe, the shape of Greece, England as an
island, the position of Thibet, the interior of Africa--to what
wonderful story-telling would these themes lend themselves!
QUESTION X: _Which should predominate in the story--the dramatic or
the poetic element_?
This is a much debated point. From experience I have come to the
conclusion that, though both should be found in the whole range of
stories, the dramatic element should prevail from the very nature of
the presentation, and also because it reaches the larger number of
children, at least of normal children. Almost every child is dramatic,
in the sense that it loves action (not necessarily an action in which
it has to bear a part). It is the exceptional child who is reached by
the poetic side, and just as on the stage the action must be quicker
and more concentrated than in a poem--than even a dramatic poem--the
poetical side, which must be painted in more delicate colors or
presented in less obvious form, often escapes them. Of course, the
very reason why we must include the poetical element is that it is
an unexpressed need of most children. Their need of the dramatic is
more loudly proclaimed and more easily satisfied.
QUESTION XI: _What is the educational value of humor in the stories
told to our children_?
Public-domain text, read in full here on John Shaqi.
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