The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
in panic into the lake, preferring to sink in its depths rather than to
fall under the fearful weapons of their enemies[86].’
In short, the Swiss won their freedom, because, with instinctive
tactical skill, they gave the feudal cavalry no opportunity for
attacking them at advantage. ‘They were lords of the field, because
it was they, and not their foe, who settled where the fighting should
take place.’ On the steep and slippery road, where they could not
win impetus for their charge, and where the narrowness of the defile
prevented them from making use of their superior numbers, the Austrians
were helpless. The crushing character of the defeat, however, was due
to Leopold’s inexcusable carelessness, in leaving the way unexplored
and suffering himself to be surprised in the fatal trap of the pass.
Morgarten exhibits the Swiss military system in a rudimentary
condition. Though won, like all Confederate victories, by the charge
of a column, it was the work of the halberd, not of the pike. The
latter weapon was not yet in general use among the mountaineers of the
three cantons: it was, in fact, never adopted by them to so great an
extent as was the case among the Swiss of the lower Alpine lands and
Aar valley, the Bernese and people of Zurich and Lucern. The halberd,
murderous though it might be, was not an arm whose possession would
give an unqualified ascendancy to its wielders: it was the position,
not the weapons nor the tactics, of the Swiss which won Morgarten. But
their second great success bears a far higher military importance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account