The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
furiously on the Germans, ‘rushing at the pikes, or throwing themselves
on the ground and slipping below the points, so that they darted in
among the legs of the pikemen,’--a manœuvre which reminds us of the
conduct of the Soudanese Arabs at El Teb. In this way they succeeded in
closing with their opponents, and ‘made such good use of their swords
that not a German would have escaped, had not the French horse come up
to their rescue[100].’ This fight was typical of many more, in which
during the first quarter of the sixteenth century the sword and buckler
were proved to be able to master the pike. It may, therefore, be asked
why, in the face of these facts, the Swiss weapon remained in use,
while the Spanish infantry finally discarded their peculiar tactics. To
this question the answer is found in the consideration that the sword
was not suited for repulsing a cavalry charge, while the pike continued
to be used for that purpose down to the invention of the bayonet in
the end of the seventeenth century. Machiavelli was, from his studies
in Roman antiquity, the most devoted admirer of the Spanish system,
which seemed to bring back the days of the ancient legion. Yet even he
conceded that the pike, a weapon which he is on every occasion ready to
disparage, must be retained by a considerable portion of those ideal
armies for whose guidance he drew up his ‘Art of War.’ He could think
of no other arm which could resist a charge of cavalry steadily pressed
home, and was therefore obliged to combine pikemen with his ‘velites’
and ‘buckler-men.’
Public-domain text, read in full here on John Shaqi.
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