The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The use of the long-bow is as much the key to the successes of the
English armies in the fourteenth and fifteenth centuries, as that of
the pike is to the successes of the Swiss. Dissimilar as were the
characters of the two weapons, and the national tactics to which their
use led, they were both employed for the same end of terminating the
ascendancy in war of the mailed horseman of the feudal _régime_. It is
certainly not the least curious part of the military history of the
period, that the commanders who made such good use of their archery,
had no conception of the tendencies of their action. Edward the Black
Prince and his father regarded themselves as the flower of chivalry,
and would have been horrified had they realised that their own tactics
were going far to make chivalrous warfare impossible. Such, however,
was the case: that unscientific kind of combat which resembled a huge
tilting match could not continue, if one side persisted in bringing
into the field auxiliaries who could prevent their opponents from
approaching near enough to break a lance. The needs of the moment,
however, prevented the English commanders being troubled by such
thoughts; they made the best use of the material at their disposal,
and if they thus found themselves able to beat the enemy, they were
satisfied.
It is not till the last quarter of the thirteenth century that we
find the long-bow taking up its position as the national weapon of
England. In the armies of our Norman and Angevin kings archers were
indeed to be found, but they formed neither the most numerous nor the
most effective part of the array. On this side of the Channel, just as
beyond it, the supremacy of the mailed horseman was still unquestioned.
It is indeed noteworthy that the theory which attributes to the Normans
the introduction of the long-bow is difficult to substantiate. If we
are to trust the Bayeux Tapestry--whose accuracy is in other matters
thoroughly borne out by all contemporary evidence--the weapon of
William’s archers was in no way different to that already known in
England, and used by a few of the English in the fight of Senlac[102].
It is the short-bow, drawn to the breast and not to the ear. The bowmen
who are occasionally mentioned during the succeeding century, as, for
example, those present at the Battle of the Standard, do not appear
to form any very important part of the national force. Nothing can be
more conclusive as to the insignificance of the weapon than the fact
that it is not mentioned at all in the ‘Assize of Arms’ of 1181. In the
reign of Henry II, therefore, we may fairly conclude that the bow did
not form the proper weapon of any class of English society. A similar
deduction is suggested by Richard Cœur de Lion’s predilection for the
arbalest: it is impossible that he should have introduced that weapon
as a new and superior arm, if he had been acquainted with the splendid
long-bow of the fourteenth century. It is evident that the bow must
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