The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
Few commanders could have committed a more glaring series of blunders
than did the Constable: but the chief fault of his design lay in
attempting to attack an English army, established in a good position,
at all. The power of the bow was such that not even if the fields
had been dry, could the French army have succeeded in forcing the
English line. The true course here, as at Poictiers, would have been
to have starved the king, who was living merely on the resources of
the neighbourhood, out of his position. If, however, an attack was
projected, it should have been accompanied by a turning movement round
the woods, and preceded by the use of all the arbalesters and archers
of the army, a force which we know to have consisted of 15,000 men.
Such a day as Agincourt might have been expected to break the French
noblesse of its love for an obsolete system of tactics. So intimately,
however, was the feudal array bound up with the feudal scheme of
society, that it yet remained the ideal order of battle. Three bloody
defeats, Crevant, Verneuil, and the ‘Day of the Herrings,’ were the
consequences of a fanatical adherence to the old method of fighting.
On each of those occasions the French columns, sometimes composed of
horsemen, sometimes of dismounted knights, made a desperate attempt
to break an English line of archers by a front attack, and on each
occasion they were driven back in utter rout.
It was not till the conduct of the war fell into the hands of
professional soldiers like Xaintrailles, La Hire, and Dunois, that
these insane tactics were discarded. Their abandonment, however, was
only the first step towards success for the French. The position of
the country was infinitely worse than it had been in the days of Du
Guesclin, since the greater part of the districts north of the Loire
were not only occupied by the English, but had resigned themselves to
their fate, and showed no desire to join the national party. A petty
warfare such as had won back the lands of Acquitaine from the Black
Prince, would have been totally inadequate to rescue France in 1428.
It is on this ground that we must base the importance of the influence
of the Maid of Orleans. Her successes represent, not a new tactical
system, but the awakening of a popular enthusiasm which was to make the
further stay of the English in France impossible. The smaller country
could not hold down the larger, unless the population of the latter
were supine; when they ceased to be so, the undertaking--in spite of
all military superiority--became impossible.
Public-domain text, read in full here on John Shaqi.
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