The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
A fortunate chance has preserved for us, in the pages of Blondel’s
‘Reductio Normanniae’ a full account of the disastrous field of
Formigny, the last battle but one fought by the English in their
attempt to hold down their dominion beyond the Channel. The narrative
is most instructive, as explaining the changes of fortune during the
later years of the Great War. The fight itself--though destined to
decide the fate of all Normandy--was an engagement on a very small
scale. Some five thousand English, half of them archers, the remainder
billmen for the most part, with a few hundred men-at-arms, had been
collected for a desperate attempt to open the way to Caen. In that
town the Duke of Somerset, commander of all the English armies in
France, was threatened by an overwhelming host led by King Charles
in person. To draw together a force capable of taking the field all
the Norman fortresses had been stripped of their garrisons, and such
reinforcements as could be procured, some 2000 men at most, had been
brought across from England. The relieving army succeeded in taking
Valognes and forcing the dangerous fords of the Douve and Vire,
but hard by the village of Formigny it was confronted by a French
corps under the Count of Clermont, one of several divisions which
had been sent out to arrest the march of the English. Clermont’s
troops did not greatly exceed their enemies in number: they appear,
as far as conflicting accounts allow us to judge, to have consisted
of six hundred ‘lances garnis’ (i.e. 3000 cavalry) and three thousand
infantry. The obligation to take the offensive rested with the English,
who were bound to force their way to Caen. Nevertheless Sir Thomas
Kyriel and Sir Matthew Gough, the two veterans who commanded the
relieving army, refused to assume the initiative. The old prejudice in
favour of fighting defensive battles was so strong that, forgetting the
object of their expedition, they fell back and looked for a position
in which to receive the attack of Clermont’s troops. Finding a brook
lined with orchards and plantations, which was well calculated to
cover their rear, they halted in front of it, and drew up their men in
a convex line, the centre projecting, the wings drawn back so as to
touch the stream. Three bodies of archers--each seven hundred strong--
formed the ‘main-battle;’ on the flanks of this force were stationed
two ‘battles’ of billmen, not in a line with the centre but drawn back
from it, while these corps were themselves flanked by the small force
of cavalry, which was formed close in front of the orchards and the
brook. Clermont did not attack immediately, so that the archers had
ample time to fix their stakes, according to their invariable custom,
and the whole force was beginning to cover itself with a trench[112],
when the enemy at last began to move. Through long experience the
French had grown too wary to attack an English line of archers from the
Public-domain text, read in full here on John Shaqi.
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