The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The moral of Formigny was evident: an unintelligent application of
the defensive tactics of Edward III and Henry V could only lead to
disaster, when the French had improved in military skill, and were no
longer accustomed to make gross blunders at every engagement. Unless
some new method of dealing with the superior numbers and cautious
manœuvres of the disciplined ‘compagnies d’ordonnance’ of Charles
VII could be devised, the English were foredoomed by their numerical
inferiority to defeat. It was probably a perception of this fact which
induced the great Talbot to discard his old tactics, and employ at his
last fight a method of attack totally unlike that practised in the rest
of the Hundred Years’ War. The accounts of the battle of Chatillon
recall the warfare of the Swiss rather than of the English armies.
That engagement was a desperate attempt of a column of dismounted
men-at-arms and billmen, flanked by archers, to storm an intrenched
camp protected by artillery. The English--like the Swiss at Bicocca--
found the task too hard for them, and only increased the disaster by
their gallant persistence in attempting to accomplish the impossible.
The expulsion of the English from their continental possessions had no
permanent effect in discrediting the power of the bow. The weapon still
retained its supremacy as a missile over the clumsy arbalest with its
complicated array of wheels and levers. It was hardly less superior
to the newly-invented hand-guns and arquebuses, which did not attain
to any great degree of efficiency before the end of the century. The
testimony of all Europe was given in favour of the long-bow. Charles of
Burgundy considered a corps of three thousand English bowmen the flower
of his infantry. Charles of France, thirty years earlier, had made the
‘archer’ the basis of his new militia, in a vain attempt to naturalize
the weapon of his enemies beyond the Channel. James of Scotland, after
a similar endeavour, had resigned himself to ill success, and turned
the archery of his subjects to ridicule.
Public-domain text, read in full here on John Shaqi.
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