English poetry -- History and criticism; Poetry -- Early works to 1800
And as this resemblance is of one mans action to another, so may it be
made by examples of bruite beastes, aptly corresponding in qualitie or
euent, as one that wrote certaine prety verses of the Emperor _Maximinus_,
to warne him that he should not glory too much in his owne strength, for
so he did in very deede, and would not take any common souldier to taske
at wrastling, or weapon, or in any other actiuitie and feates of armes,
which was by the wiser sort mislliked, these were the verses.
The Elephant is strong, yet death doeth it subdue,
The bull is strong, yet cannot death eschue.
The Lion strong, and slaine for all his strength:
The Tygar strong, yet kilde is at the length.
Dread thou many, that dreadest not any one,
Many can kill, that cannot kill alone._
And so it fell out, for _Maximinus_ was slaine in a mutinie of his
souldiers, taking no warning by these examples written for his
admonition.
_CHAP. XX._
_The last and principall figure of our poeticall Ornament._
[Sidenote: _Exargasia_ or The Gorgious.]
For the glorious lustre it setteth vpon our speech and language, the
Greeks call it [_Exargasia_] the Latine [_Expolisio_] a terme transferred
from these polishers of marble or porphirite, who after it is rough hewen
& reduced to that fashion they will do set vpon it a goodly glasse, so
smoth and cleere as ye may see your face in it, or otherwise as it fareth
by the bare and naked body, which being attired in rich and gorgious
apparell, seemeth to the common vsage of th'eye much more comely &
bewtifull then the naturall. So doth this figure (which therefore I call
the _Gorgious_) polish our speech & as it were attire it with copious &
pleasant amplifications and much varietie of sentences all running vpon
one point & to one intent so as I doubt whether I may terme it a figure,
or rather a masse of many figurative speaches, applied to the bewtifying
of our tale or argument. In a worke of ours intituled _Philocalia_ we have
strained to shew the vse & application of this figure and all others
mentioned in this booke, to which we referre you. I finde none example in
English meetre, so well maintaining this figure as that dittie of her
Maiesties owne making passing sweete and harmonicall, which figure beyng
as his very originall name purporteth the most bewtifull and gorgious of
all others, it asketh in reason to be reserued for a last complement, and
desciphred by the arte of a Ladies penne, her selfe being the most
bewtifull, or rather bewtie of Queenes. And this was the occasion: our
soueraigne Lady perceiuing how by the Sc.Q. residence within this Realme
at so great libertie and ease (as were skarce meete for so great and
daungerous a prysoner) bred secret factions among her people, and made
many of the nobilitie incline to fauour her partie: some of them desirous
of innouation in the state: others aspiring to greater fortunes by her
libertie and life. The Queene our soueraigne Lady to declare that she was
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