English poetry -- History and criticism; Poetry -- Early works to 1800
And yet peraduenture in all points it may not be so taken, but in such
onely as may discouer his grossenes or his ignorance by some schollerly
affectation: which thing is very irkesome to all men of good trayning, and
specially to Courtiers. And yet for all that our maker may not be in all
cases restrayned, but that he may both vse and also manifest his arte to
his great praise, and need no more be ashamed thereof, than a shomaker to
haue made a cleanly shoe or a Carpenter to haue buylt a faire house.
Therefore to discusse and make this point somewhat cleerer, to weete,
where arte ought to appeare, and where not, and when the naturall is more
commendable than the artificiall in any humane action or workmanship, we
wil examine it further by this distinction.
In some cases we say arte is an ayde and coadiutor to nature, and a
furtherer of her actions to good effect, or peraduenture a meane to supply
her wants, by renforcing the causes wherein shee is impotent and
defectiue, as doth the arte of phisicke, by helping the naturall
concoction, retention, distribution, expulsion, and other vertues, in a
weake and vnhealthie bodie. Or as the good gardiner seasons his soyle by
sundrie sorts of compost: as mucke or marle, clay or sande, and many times
by bloud, or lees of oyle or wine, or stale, or perchaunce with more
costly drugs: and waters his plants, and weedes his herbes and floures,
and prunes his branches, and vnleaues his boughes to let in the sunne: and
twentie other waies cherisheth them, and cureth their infirmities, and so
makes that neuer, or very seldome any of them miscarry, but bring foorth
their flours and fruites in season. And in both these cases it is no smal
praise for the Phisition & Gardiner to be called good and cunning
artificers.
Public-domain text, read in full here on John Shaqi.
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