English poetry -- History and criticism; Poetry -- Early works to 1800
Antipophora, _or the figure of responce._ 170
Sineciosis, _or the crossecoople._ 172
Atanaclasis, _or the rebound._ 173
Clymax, _or the marching figure._ 173
Antimetauole, _or the counterchainge._ 174
Insultatio, _or the disdainfull._ 175
Antitheton, _or the quareller, otherwise
called the ouerthwart or rencounter._ 175
Erotema, _or the questioner._ 176
Echphonisis, _or the outcrie._ 177
Brachiologia, _or the cutted comma._ 178
Parison, _or the figure of euen._ 178
Sinonimya, _or the figure of store._ 179
Metanoia, _or the penitent, otherwise
called the figure of repentance._ 179
Antenagoge, _or the recompencer._ 180
Epiphonema, _or the close._ 181
Auxesis, _or the auancer._ 182
Meiosis, _or the disabler._ 183
Dialisis, _or the dismembrer._ 185
Merismus, _or the distributor._ 185
Epimone, _or the loueburden._ 188
Paradoxon, _or the wonderer._ 189
Aporia, _or the doubtfull._ 189
Epitropi, _or the figure of reference, otherwise
called the figure of submission._ 189
Parrisia, _or the licentious._ 190
Anachmosis, _or the importuner._ 190
Paramologia, _or figure of admittance._ 190
Etiologia, _or the tell-cause, otherwise
called the reason rendrer._ 191
Dicheologia, _or the figure of excuse._ 192
Noema, _or the figure of close conceit._ 193
Orismus, _or the definer by difference._ 193
Procatalepsis, _or the presumptuous._ 194
Paralepsis, _or the passenger._ 194
Commoratio, _or figure of aboade._ 194
Metastasis, _or figure of remoue, otherwise
called the flitter._ 194
Parecuasis, _or the straggler, otherwise
called the figure of digression._ 195
Expeditio, _or the dispatcher._ 195
Diologismus, _or the right reasoner._ 196
Gnome, _or the director, otherwise
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