English poetry -- History and criticism; Poetry -- Early works to 1800
Now there can not be in a maker a fowler fault then to falsifie his accent
to serue his cadence, or by vntrue orthographie to wrench his words to
helpe his rime, for it is a signe that such a maker is not copious in his
owne language, or (as they are wont to say) not halfe his crafts maister:
as for example, if one should rime to this word [_Restore_] he may not
match him with [_Doore_] or [_Poore_] for neither of both are of like
terminant, either by good orthography or in naturall sound, therfore such
rime is strained, so is it to this word [_Ram_] to say [_came_] or to
[_Beane [_Den_] for they sound not nor be written alike, & many other like
cadences which were superfluous to recite, and are vsuall with rude rimers
who obserue not precisely the rules of [_prosodie_] neuerthelesse in all
such cases (if necessitie constrained) it is somewhat more tolerable to
help the rime by false orthographie, than to leaue an unpleasant
dissonance to the eare, by keeping trewe orthographie and loosing the
rime, as for example it is better to rime [_Dore_] with [_Restore_] then
in his truer orthographie, which is [_Doore_] and to this word [_Desire_]
to say [_Fier_] then fyre though it be otherwise better written _fire_.
For since the cheife grace of our vulgar Poesie consisteth in the
Symphonie, as hath bene already sayd, our maker must not be too licentious
in his concords, but see that they go euen, iust and melodious in the
eare, and right so in the numerositie or currantnesse of the whole body of
his verse, and in euery other of his proportions. For a licentious maker
is in truth but a bungler and not a Poet. Such men were in effect the most
part of all your old rimers and specially _Gower_, who to make vp his rime
would for the most part write his terminant sillable with false
orthographie, and many times not sticke to put in a plaine French word for
an English, & so by your leaue do many of our common rimers at this day:
as he that by all likelyhood, hauing no word at hand to rime to this word
[_ioy_] he made his other verse ende in [_Roy_] saying very impudently
thus,
_O mightie Lord of loue, dame Venus onely ioy
Who art the highest God of any heauenly Roy._
Which word was neuer yet receiued in our language for an English word.
Such extreme licentiousnesse is vtterly to be banished from our schoole,
and better it might haue bene borne with in old riming writers, bycause
they liued in a barbarous age, & were graue morall men but very homely
Poets, such also as made most of their workes by translation out of the
Latine and French toung, & few or none of their owne engine as may easely
be knowen to them that list to looke vpon the Poemes of both languages.
Public-domain text, read in full here on John Shaqi.
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