English poetry -- History and criticism; Poetry -- Early works to 1800
------- ---------- ---------- ------
--------- ---------- ---------- --------------
------------- ---------- ---- ---------- --------------
------------- -------- ---- ---------- --------------
--------- ------ ---------- ---- ------
------- ------ ---------- ------ --------------
--------- -------- ---- ------ --------------
----------- ---------- ---- ------ --------------
------------- ---------- ---- ------
Which maner or proportion by situation of measures giueth more efficacie
to the matter oftentimes then the concords them selues, and both
proportions concurring together as they needes must, it is of much more
beautie and force to the hearers mind.
To finish the learning of this diuision, I will set you downe one example
of a dittie written extempore with this deuice, shewing not onley much
promptnesse of wit in the maker, but also great arte and a notable
memorie. Make me saith this writer to one of the comnpanie, so many
strokes or lines with your pen as ye would haue your song containe verses:
and let euery line bearue his seuerall length, euen as ye would haue your
verse of measure. Suppose of foure, fiue, sixe, or eight or more
sillables, and set a figure of euerie number at th'end of the line,
whereby ye may knowe his measure. Then where you will haue your rime or
concord to fall, marke it with a compast stroke or semicircle passing ouer
those lines, be they farre or neare in distance, as ye haue seene before
described. And bycause ye shall not thinke the maker hath premeditated
beforehand any such fashioned ditty, do ye your selfe make one verse
whether it be of perfect or imperfect sense, and giue it him for a theame
to make all the rest upon: if ye shall perceiue the maker do keepe the
measures and rime as ye haue appointed him, and besides do make his dittie
sensible and ensuant to the first verse in good reason, then may ye say he
is his crafts maister. For if he were not of a plentiful discourse, he
could not vpon the sudden shape an entire dittie vpon your imperfect
theame or proposition in one verse. And if he were not copious in his
language, he could not haue such store of wordes at commaundement, as
should supply your concords. And if he were not of a maruelous good memory
he could not obserue the rime and measures after the distances of your
limitation, keeping with all grauitie and good sense in the whole dittie.
_CHAP. XI._
_Of Proportion in figure._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account