English poetry -- History and criticism; Poetry -- Early works to 1800
This figure taketh his name of an egge, and also as it is thought his
first origine, and is as it were a bastard or imperfect rounde declining
toward a longitude, and yet keeping within one line for his periferie or
compasse as the rounde, and it seemeth that he receiueth this forme not as
an imperfection but any impediment vnnaturally hindring his rotunditie,
but by the wisedome and prouidence of nature for the commoditie of
generation in such of her creatures as bring not forth a liuely body (as
do foure footed beasts) but in stead thereof a certaine quantitie of
shapelesse matter contained in a vessell, which after it is sequestred
from the dames body receiueth life and perfection, as in the egges of
birdes, fishes, and serpents: for the matter being of some quantitie, and
to issue out at a narrow place, for the easie passage thereof, it must of
necessitie beare such shape as might not be sharpe and greeuous to passe
at an angle, nor so large or obtuse as might not essay some issue out with
one part moe then other as the rounde, therefore it must be slenderer in
some part, & yet not without a rotunditie & smoothnesse to giue the rest
an easie deliuerie. Such is the figure Ouall whom for his antiquitie,
dignitie and vse, I place among the rest of the figures to embellish our
proportions: of this sort are diuers of _Anacreons_ ditties, and those
other of the Grecian Liricks, who wrate wanton amorous deuises, to solace
their witts with all, and many times they would (to giue it right shape of
an egg) deuide a word in the midst, and peece out the next verse with the
other halfe, as ye may see by perusing their meetres.
Public-domain text, read in full here on John Shaqi.
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