The Arts and Crafts of Ancient EgyptPetrie, W. M. Flinders (William Matthew Flinders)
History
The Arts and Crafts of Ancient Egypt
Petrie, W. M. Flinders (William Matthew Flinders)
Art, Egyptian
_Forms._--In the prehistoric age many of the forms have no marked brim.
The bowls, conical cups, and jars simply end at a plain edge, like this
marked Pre. Brims were more usual in the later prehistoric age. A great
variety of fancy forms appeared--double vases, square bottles, fish,
birds, or women were modelled; and as the whole pottery was handmade,
such were no more difficult to make than circular forms. On coming to
the Ist dynasty the forms were more clumsy, such as that marked I;
and some of the earlier forms were continued in a very degraded state.
The main feature is the class of very large jars, two to three feet
high, which were used for storing food and drink. This class rapidly
deteriorated and became almost extinct by the IIIrd dynasty. In the
pyramid age some neatly-made pottery is found; thin sharp-brimmed
bowls were usual, and the form marked V, with a sharply pointed
base, was peculiar to this time. By the XIIth dynasty the globular
or drop-shaped pot was the prevalent type, and varies in size from a
couple of inches to a couple of feet. Drinking-cups of a hemispherical
form, very thin, without any brim, are also of this age. The XVIIIth
dynasty was begun with long graceful forms, such as XVIII; and later
some beautiful long-necked vases are found. All of these forms rapidly
degraded in the XIXth dynasty, and ugly small handles come into use,
probably influenced by Greek design. In the XXVIth dynasty, lids with
knob handles became common, and accordingly the brim disappeared, and
a plain edge was used which could be easily capped. The large jars of
this age are of Greek origin. During the Ptolemaic time debasement went
on; and the most ugly, smug, commonplace forms belong to the Roman age.
They are mostly ribbed, as in this marked Ro. The big amphorae begin
with ribbing in the latter part of the second century, in broad fluting
curves. These became narrower and sharper, until in the sixth and
seventh centuries the ribbing had become almost a mere combed pattern
around the jar. The jars also decreased in size, were thicker, softer,
and coarser, until the type vanished with the Arab times.
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