The Arts and Crafts of Ancient EgyptPetrie, W. M. Flinders (William Matthew Flinders)
History
The Arts and Crafts of Ancient Egypt
Petrie, W. M. Flinders (William Matthew Flinders)
Art, Egyptian
_Materials._--The prehistoric pottery of the earlier period is all
of a soft body, faced with red haematite. As the pots were usually
baked mouth downward, the brim was covered with the ashes; and these
not being burnt through, reduced the red peroxide of iron to the
black magnetic sesqui-oxide, such as is familiar to us in the black
scale on sheet steel. The interior of the pots is likewise black,
owing to the reducing gases from the ashes below; rarely the heat
after the combustion has lasted long enough for the oxygen to pass
through the pottery, and so redden the inside. Open dishes were
also haematite-faced inside, and the iron is reduced to a brilliant
mirror-like coat of black all over. The reason of the polish being
smoother on the black than on the red parts is that carbonyl gas--which
is the result of imperfect combustion--is a solvent of magnetic oxide
of iron, and so dissolves and re-composes the surface facing. On once
understanding the chemistry of this, it is needless to discuss the
old idea that smoke blackened this pottery. Smoke--or fine carbon
dust--could not possibly penetrate through close-grained pottery, and
the black extends all through the mass, naturally owing to the action
of reducing gases to which the pottery is quite pervious. There may
perhaps be some other kinds of black pottery influenced by smoke; but
it is far more probable that all black pottery is due to black oxide of
iron produced by imperfect combustion, which is accompanied by smoke.
In the later prehistoric age the pottery has a hard reddish buff body
with white specks. In the pyramid period a smooth soft brown body is
usual. Hard drab pottery also appears in the Vth and VIth dynasties. In
the XIIth dynasty the common soft brown body is general, and extends
to the XVIIIth. By the middle of the XVIIIth dynasty a hard drab ware
with white specks and faced with a drab polish is very characteristic,
and continues into the XIXth. Thence onward the brown body reasserts
itself, with some inferior greenish drab ware about the XXIInd dynasty.
Greek clays appear during the XXVIth, but probably all imported from
Greece. Soft red pottery belongs to the Ptolemaic age. But the old soft
brown rules in the Roman time, being at its worst in the early Coptic.
The thin hard ware of the Constantine age is apparently not native, and
may be due either to Nubian or Roman influence.
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