The Arts and Crafts of Older Spain, Volume 1 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 1 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
These latter lived in frugal fashion. Water was their only drink; bread
and the roots of plants their only food. Their clothing, too, was of the
slightest, consisting merely of a shirt, high boots, and a kind of net
upon the head. They wore no armour, and carried as their only weapons an
_azagaya_ and a lance. Their principal value was in skirmishing.
The infantry were also of two kinds. The first, collective or
stipendiary, was levied by the towns and cities, and from them received
its maintenance. The second was the _almogávares_, who served for
scouting, like their mounted comrades of the same denomination. The
stipendiary or regular troops proceeded chiefly from the northern
provinces--Alava, Guipúzcoa, the Asturias, and the mountains of León,
and carried commonly the lance, sword, sling, crossbow, and the
_azagaya_--this last a dart-shaped missile borrowed from the Berber
tribesmen,--the ancient Moorish _azgaya_, the modern _assagai_ or
_assegai_ of Zululand.[113]
[113] One of these weapons may be seen in the Royal Armoury (No. I. 95).
It is made of iron covered with leather, and has a laurel-shaped
blade with sharpened edges. The other end consists of two
projecting pieces of the metal, shaped to resemble the plumes of
an arrow. The length of this arm is 5 feet 8 inches.
In a country which was plunged in ruinous and almost unremitting
internecine strife; which was (and is) inherently averse to commerce or
to agriculture; and where the bulk of all the national wealth was either
locked away in churches and in convents, or in the coffers of great
nobles who were frequently as wealthy as, or even wealthier than, the
Crown, the armour of the common mediæval Spanish soldier consisted of
the plain and necessary parts and nothing more. The aristocracy, upon
the other hand, often adorned their battle-harness with the finest gold
and silver work, and studded it with precious stones. Even the esquires
would sometimes imitate their masters in this costly mode. "We command,"
said Juan the First in one of his pragmatics dating from the end of the
fourteenth century, "that no shield-bearer shall carry cloth of gold or
any manner of gold ornament upon his trappings, scarf, or saddle; or
on his badge or arms, excepting only on the edges of his bassinet and
his cuisses, together with the bit and poitral of his horse, which may
be gilded."
[Illustration: XLIII
MOORISH CROSSBOW AND STIRRUP
(_Museum of Granada_)]
Public-domain text, read in full here on John Shaqi.
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