The Arts and Crafts of Older Spain, Volume 1 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 1 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
Descriptions of the Spanish-Moorish swords inserted in the chronicles
and poems of the Middle Ages, together with the few examples that have
been preserved until our time, enable us to form an accurate idea of the
shape and decoration of these weapons generally. Those of the sultans
and the Muslim aristocracy were, as a rule, profusely ornamented, either
with precious stones or with enamels, or else with delicate and lavish
damascening, or with the characteristic Oriental _ataujía_-work of gold
and silver inlay. Inscriptions, too, were freely used upon the hilt or
scabbard. Thus we are told that the great Almanzor kept for daily use a
sword which bore the legend; "_Strive in warfare till ye win great
victories. Battle with the infidels till ye win them over to Islam_";
and similar inscriptions may be quoted in great number. But four or five
of these magnificent arms have proved superior to the ravages of time,
and naturally tell us more than any weapons whose renown survives in
written records merely. Among such extant Spanish-Moorish swords are two
attributed respectively to Aliatar and Abindarraez; two others which are
known to have belonged to the last ill-fated monarch of the Moors of
Spain, Boabdil el Chico; and another, considered to have also been
Boabdil's property, now in possession of the Marquises of Campotejar,
owners of the Generalife and of the Casa de los Tiros at Granada.
The "sword of Aliatar," preserved in the Museum of Artillery at Madrid,
is said to have been wrested from the clenched hand of that warrior,
father-in-law of Boabdil and governor of Loja, as his corpse was swept
away down stream after the rout of the Moorish expedition at Lucena.
This arm is richly damascened as well as decorated with the
characteristic _ataujía_. The centre of the hilt is made of ivory, and
the pommel and crossbars--which latter terminate in elephants' heads
with slightly upturned trunks--of damascened and inlaid iron, ornamented
here and there with _ataujía_. Part of the blade--probably about an
eighth--is broken off. The sheath has disappeared.
An idle superstition has attributed the so-called "sword of Abindarraez"
to the hero of the well-known sixteenth-century romance entitled _The
Abencerraje and the Beautiful Jarifa._ This weapon, which for many years
was in possession of the Narvaez family, belongs at present to the
Marquis of La Vega de Armijo. The decoration is not particularly rich,
and part of it is worn away; but the narrow blade is still engraved
with figures or portraits from the story which has given the sword its
name.
Public-domain text, read in full here on John Shaqi.
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