The sword of "the great captain," Gonzalo de Córdova (1453-1515), is not of Spanish make (Plate lvii., No. 3). It has a straight blade with bevelled edges. The pommel and _quillons_ are decorated with Renaissance carving, and the bars, which are of gilded iron, grow wider at their end and curve towards the blade. The pommel, of gilded copper, is spherical, and bears, upon one side, a scene which represents a battle, together with the words GONSALVI AGIDARI VICTORIA DE GALLIS AD CANNAS. Upon the other side are carved his arms. Other inscriptions in Latin are also on the pommel and the blade. The Count of Valencia de Don Juan believed that this sword was a present to Gonzalo from the corporation of some Italian town, and that it replaced, as an _estoque real_, or sword of ceremony, the state sword (see p. 252) of Ferdinand and Isabella. [Illustration: LIV SPANISH SWORDS (_Royal Armoury, Madrid_)] Pizarro's sword remained in possession of his descendants, the Marquises of La Conquista, until as recently as 1809, in which year this family presented it to a Scotch officer named John Downie, who had fought in the Peninsular War against the French. Downie, in turn, bequeathed it to his brother Charles, lieutenant-colonel in the Spanish army, from whom it passed into the hands of Ferdinand the Seventh. The appearance of this sword is not remarkable. It has a stout, four-surfaced blade, with a powerful _recazo_ or central ridge, engraved with the Christian name of Mateo Duarte, a swordsmith who was living at Valencia in the middle of the sixteenth century. The hilt is of blued (_pavonado_) steel, inlaid with leaves and other ornament in gold. The pommel is a disc; the _quillons_ are straight, or very nearly so, and there is a _pas d'âne_ (Plate lvii., No. 2). The sixteenth and the seventeenth centuries are famous as the epoch of the Spanish rapier. Toledo, as the world is well aware, enjoyed an undisputed name for the production of these weapons. Within this ancient and historic capital generations of artists bequeathed, from father to son, and son to grandson, the secret (if there were a secret) of the tempering of these matchless arms; nor have Toledo blades deteriorated to this day. Many an idle superstition seeks to justify the talent and dexterity of these swordsmiths; though probably the key to all their skill was merely in the manual cunning, based on constant practice, of the craftsman, as well as in the native virtues of the water of the Tagus.