The Arts and Crafts of Older Spain, Volume 1 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 1 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
"In the name of God the Merciful. (May) the blessing of God be on our
lord Mohammed and his kin; health and peace. (This lamp) was ordered (to
be made) by our Lord the egregious sultan, the favoured, the victorious,
the just, the happy, the conqueror of cities, and the extreme boundary
of just conduct among the servants (of God); the emir of the Mussulmans
Abu-Abdillah, son of our lord the emir of the Mussulmans Abu-Abdillah,
son of our lord Al-Galib-Billah, the conqueror through God's
protection, the emir of the Mussulmans Abu-Abdillah; (may) God aid him
(praised be God)." Here is a breakage and a corresponding gap in the
inscription, which continues, "beneath it, lighted by my light for its
magnificence and the care of its _xeque_, with righteous purpose and
unerring certainty. And this was in the month of Rabié the first
blessed, in the year 705.[91] May (God) be praised."
[91] September 20th to October 19th, A.D. 1305.
The history of this lamp has been explored with scholarly care by
Rodrigo Amador de los Ríos, whose monograph will be found in the _Museo
Español de Antigüedades_. He says that the lamp was formerly suspended
from the ceiling of the chapel of San Ildefonso in the university of
Alcalá de Henares. Here, too, he has discovered entries which relate to
it in two separate inventories, dated 1526 and 1531, from which we
gather that the lamp, excepting the lowest part or tier, which probably
proceeded from Oran, was brought to Alcalá by Cardinal Cisneros from the
mosque of the Alhambra of Granada.
[Illustration: XXXIII
MOORISH LAMP AND MORTAR
(_Museum of Granada_)]
All of the lamp (continues Amador) that properly belongs to it, is the
open-work shade, together with the graduated set of spheres which we
now observe on top.[92] The lowest part is clearly an inverted bell,
from which project four decorative pieces. This is believed by Amador to
be a Spanish bell, dating from the fifteenth century, designed for
striking with a hammer, and proceeding from some monastery or convent
plundered by the Moors. Indeed, one of the two inventories discovered at
Alcalá mentions "a bell with a hole in it, _which used to belong to a
Moorish lamp_," thus countenancing the widespread supposition that the
lamps of the mosque of Cordova were made of the Christian bells of
Compostela, which the fierce Almanzor caused to be conveyed upon the
aching backs of Christian captives to the Moorish court and capital of
Andalusia.
Public-domain text, read in full here on John Shaqi.
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