The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
I am only aware of one author who derides the statement that this porous
clay was eaten by the Spanish women. According to Bowles, who certainly
describes and comments on it with intelligence and scholarship, the
neighbourhood of Andujar contains "large quantities of the white argil
of which are made the jars or _alcarrazas_ which serve in many parts of
Spain for cooling water in the summer-time. In other parts of Andalusia
is found a red variety of this clay, employed in making the vessels
known as _búcaros_, which serve to freshen the water as well as for
drinking it out of--a thing the Spanish ladies love greatly. Both the
white _alcarrazas_ and the _búcaros_ as red as the blood of a bull are
thin, porous, smooth, and half-baked. When filled with water they emit a
pleasant smell like that of dry earth rained upon in summer, and as the
water filters through the outer surface, remain continually damp." The
same writer adds that at that time (1752) the _búcaros_ proceeding from
the Indies were of finer workmanship, and had a more agreeable smell
than those of Spanish manufacture. "In the Encyclopædia," he continues,
"and in the Dictionary of Natural History, we read that Spanish ladies
are for ever chewing _búcaro_, and that the hardest penance their
confessors can inflict upon them is to deprive them for a single day of
this enjoyment." Bowles, however, quotes these observations in a
scornful tone, and deprecates the habit of "believing writers who
without inquiring into things, concoct and publish novels to divert the
populace and rid them of their money."
Turning our attention once again to the finer kinds of Talavera ware,
Gestoso adduces proofs that this as well as Chinese porcelain was
faultlessly and freely imitated in the potteries of Seville. Here,
therefore, is a source of fresh confusion; and probably a great
proportion of the polychrome ware which goes by the name of Talaveran is
really of Sevillian origin. It is further known that at one period,
which seems to begin with the second half of the sixteenth century,
potters who were natives of Talavera were hired to work in Seville.
[Illustration: LXX
TALAVERA VASE]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account