The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
Martin died in 1786, and Knipfer left soon afterwards. A Frenchman was
now engaged, whose services proved also beneficial to the works. This
was Pierre Cloostermans, "a skilful man, well versed in the manufacture
of porcelain pastes, as well as in painting and decorating them."
Cloostermans, however, was much molested by the envy of the Spanish
workmen at Alcora, as well as by their typical intolerance in matters of
religion, although the Count, his master, behaved towards him with the
utmost kindness. Under his supervision, the quality of Alcora ware was
notably improved. Figures and groups of many kinds were attempted, and
even Wedgwood jasper ware was creditably imitated. In 1789, among other
pottery that was sent to Madrid were "two hard paste porcelain cups,
adorned with low relief in the English style." The most important one
was moulded by Francisco Garcés, the garlands and low reliefs by Joaquín
Ferrer, sculptor, the flowers on the covers by an apprentice, helped by
Cloostermans.
Dated in the same year (1789), Riaño quotes an interesting letter from
the Count of Aranda to Don Pedro Abadia, his steward. "I wish," he said,
"to export the porcelain of my manufactory, but chiefly in common
objects, such as cups of different kinds, tea and coffee services, etc.
These may be varied in form and colour, the principal point being that
the paste should bear hot liquids, for we Spaniards above everything
wish that nothing we buy should ever break. By no means let time be
wasted in making anything that requires much loss of time. The chief
object is that the pastes should be of first-rate excellence and
durability."
In 1793 Cloostermans was driven from the country by political
disturbances; but he was allowed to return in 1795, and resumed his
duties at the factory. All through these years Alcora continued to make
most excellent pottery. Essays were made with foreign earths, as well as
with the best that could be found in Spain. About this time kaolin was
discovered in Cataluña, and the Count was particularly anxious that this
native product should be utilised at Alcora. "The kaolin of Cataluña,"
he wrote in 1790, "may be good or bad, but it is acknowledged to be
kaolin, and if we do not employ it I must close my works."
The Count of Aranda and Pierre Cloostermans both died in 1798, and in
1800 the Duke of Hijar became the manager and proprietor of the
potteries. "Two hundred workmen were employed, and pottery of every
description was made, common earthenware, pipeclays in imitation of the
English ones, and porcelain in small quantities; common wares were made
in large quantities; the pipeclays were pronounced superior to the
English in brilliancy, but were so porous that they were easily stained.
A large number of snuff-boxes and other small objects belong to this
period."--(Riaño.)
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account