Riaño says that every kind of porcelain was made at the Buen Retiro, "hard and soft paste, white china, glazed or unglazed, or painted and modelled in the style of Capo-di-Monte." A great many objects existed imitating the blue jasper ware of Wedgwood, and they also made flowers, coloured and biscuit, groups (Pl. lxxi.), and single figures, and painted porcelain of different kinds. Great quantities of tiles for pavements were also made there, which may still be seen at the Casa del Labrador at Aranjuez: they are mentioned in the accounts which exist at the Ministry of Finance for 1807 and 1808. We find in these same accounts interesting details of the objects made monthly. In January, 1808, a large number of figures were made, including 151 heads for the table centre which was made for the king, 306 objects ornamented with paintings, 2506 tiles, 577 objects of less artistic importance, such as dishes, plates, etc. The finest specimens which exist are in the Neapolitan style, and are two rooms at the palaces of Madrid and Aranjuez, of which the walls are completely covered with China plaques and looking-glasses, modelled in the most admirable manner with figures, fruits, and flowers. The room at Aranjuez is covered with a bold ornamentation of figures in the Japanese style, in high relief, painted with colours and gold with the most exquisite details. The figures unite the fine Italian modelling with the Japanese decoration. The chandelier is in the same style (Plate lxxii.). Upon a vase on the wainscot to the right of the entrance door is the following inscription:-- JOSEPH GRICCI DELINEAV^{it} ET SCUL^{it} 1763. This same date is repeated in the angles, and in some shields near the roof we find, "AÑO 1765; probably the year the work was terminated." [Illustration: LXXII ROOM DECORATED WITH PORCELAIN OF THE BUEN RETIRO (_Royal Palace of Aranjuez_)] The earliest mark upon the Buen Retiro porcelain was a blue fleur-de-lis, to which were subsequently added the letter M and a royal crown. Still later, in the reign of Charles the Fourth, the mark used was a fleur-de-lis with two crossed C's.