The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
This factory was not long-lived. Until 1803 it followed the styles of
the older establishment at Capo-di-Monte, uniting neo-classic motives
with the manner of Baroque. In that year it began to produce porcelain
imitating that of Sèvres, and two Frenchmen, Vivien and Victor Perche,
were brought from Paris to superintend this change. "Among the finest
specimens of this period," says Riaño, "are a splendid clock and four
vases, two mètres high, with porcelain flowers, which exist in one of
the state rooms of the Palace of Madrid. The vases are placed in the
four corners of the room. The clock is ornamented with large biscuit
figures. A large number of vases of Retiro china exist at the royal
palaces of Madrid, Aranjuez, and the Escorial. They are often finely
mounted in gilt bronze with muslin or porcelain flowers. The blue of the
imitations of Wedgwood is not so pure, nor is the biscuit work so fine
as the English. Gold is often added to these specimens."
[Illustration: LXXIII
PORCELAIN OF THE MONCLOA FACTORY]
Nevertheless, this manufacture was by now decadent. It had suffered
severely from the death of Charles the Third, and upon the French
invasion in 1808 was seized by the enemy and occupied by them for
several months. During the reign of the "_intruso_," Joseph Buonaparte,
porcelain was still produced to some extent; but by the time of the
Peninsular campaign the works had practically ceased. "Near this
quarter," wrote Ford, describing the Retiro gardens, towards the middle
of last century, "was _La China_, or the royal porcelain manufactory,
that was destroyed by the invaders, and made by them into a
fortification, which surrendered, with two hundred cannon, August 14th,
1812, to the Duke. It was blown up October 30th, by Lord Hill, when the
misconduct of Ballesteros compelled him to evacuate Madrid. Now _La
China_ is one of the standing Spanish and _afrancesado_ calumnies
against us, as it is stated that we, the English, destroyed this
manufactory from commercial jealousy, because it was a rival to our
potteries. 'What can be done (as the Duke said) with such libels but
despise them. There is no end of the calumnies against me and the army,
and I should have no time to do anything else if I were to begin either
to refute or even to notice them?' (Disp., Oct. 16, 1813.) These china
potsherds and similar inventions of the enemy shivered against his iron
power of conscious superiority.
Public-domain text, read in full here on John Shaqi.
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