[112] This artist painted a series of magnificent windows representing scenes from the life of San Pedro Nolasco, for the convent of La Piedad, at Valencia. [113] Zarco del Valle, _Documentos Inéditos, etc._, pp. 339 _et seq._ In the same century the windows of Seville cathedral, begun some years previously (Cean says in 1504) by Micer Cristóbal Alemán ("Master Christopher the German"), were continued by Masters Jacobo, Juan Juan Vivan, Juan Bernai, Bernardino de Gelandia, Juan Jaques, Arnold of Flanders (1525), Arnao de Vergara (1525), Charles of Bruges, (1557), and Vicente Menandro (1557).[114] In 1562 Diego de Valdivieso, and in 1570 Pedro de Valdivieso and Gerald of Holland, painted windows for Cuenca cathedral. In 1542 the same work was done at Palencia by Diego de Salcedo, and in 1533 George of Burgundy, "master in the art of glass," then resident at Burgos, proceeded to the same town and engaged to renew the cathedral windows at a cost of a hundred _maravedis_ for every palm of coloured glass, and fifty for every palm of plain.[115] [114] According to Cean (_La Catedral de Sevilla_), Menandro painted in 1560 the conversion of Saint Paul on a window in the Chapel of Santiago, in 1567 another window with the scene of the Annunciation, over the gate of San Miguel, and in 1569 the companion to it, representing the Visitation, over the Puerta del Bautismo. "In all these windows," wrote Cean, prejudiced, as was customary in his day, in favour of the strictly classic style, "the drawing, pose, and composition are good, _although_ in the draperies and figures we observe the influence of Germany." In Cean's own time--that is, towards the close of the eighteenth century--the coloured windows of Seville Cathedral amounted to ninety-three, five of which were circular, and the rest with the pointed Gothic arch. The dimensions of the latter are twenty-eight feet high by twelve feet broad, and the subjects painted on them include the likenesses of prophets, patriarchs, martyrs, confessors, and virgins, or scenes from the New Testament, such as the rising of Lazarus, Christ driving the merchants from the temple, the Last Supper, and the anointing by Mary Magdalene. [115] Zarco del Valle, _Documentos Inéditos_, p. 159