The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
The factory of Nuevo Baztán continued working for some years, and turned
out excellent glass for exportation to America and other parts; but it
was killed eventually by the rising price of fuel, and above all by
competition from abroad. "When the foreigners," says Larruga in his
_Memorias políticas y económicas_, "saw that the factory was in full
swing, they conspired to bring about its ruin, and begged their
ambassadors to communicate against it with the ministers; but finding
this of no avail, and recognising the importance to themselves of
overthrowing this manufacture, they decided to sell glassware at a price
at which it would be impossible to sell the products of Nuevo Baztán.
The amount of this reduction was the one-third part of the entire value.
By this means the foreigners made it impossible for the factory to
support itself, since the objects it produced were laid away and found
no purchaser for years. This, and the cost of the wood required to keep
the ovens burning day and night, not excepting feast-days (for to stop
the fires for a moment would have meant the spoiling of the oven),
induced the downfall of this celebrated factory, as soon as the fuel of
all the neighbouring forests had been consumed."
Nevertheless, upon the closing of these works, one of the experts who
had been employed there, a Catalan named Ventura Sit, attracted by the
forests of Valsain and the excellent and abundant sand obtainable in
this locality--principally from near the villages of Espirdo and Bernuy
de Porreros--decided to open another glass-works at La Granja. Here is
the royal summer residence of San Ildefonso, and Sit was fortunate
enough to secure at the outset--that is, in 1728--the firm protection of
Philip the Fifth and of his consort, Isabel Farnese. Instructed by the
sovereigns to make some mirrors, he produced these objects of a moderate
size at first, increasing it, after the year 1734, to a maximum length
of 145 inches by 85 in breadth. Larruga says that these mirrors were the
largest produced anywhere at that time, and they continued to be made
until very nearly the end of the century. They are often referred to in
the narratives of travellers. Swinburne wrote in 1776: "Not far from
Carthagena is a place called Almazaron, where they gather a fine red
earth called Almagra, used in the manufactures of Saint Ildephonso, for
polishing looking-glasses. In Seville, it is worked up with the tobacco,
to give it a colour, fix its volatility, and communicate to it that
softness which constitutes the principal merit of Spanish snuff."
Describing the royal palace at Madrid, the same author says that the
walls of the great audience-chamber "are incrustated with beautiful
marble, and all round hung with large plates of looking-glass in rich
frames. The manufactory of glass is at Saint Ildefonso, where they cast
them of a very great size; but I am told they are apt to turn out much
rougher and more full of flaws than those of France."
Public-domain text, read in full here on John Shaqi.
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