The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
[61] "A ware exactly like that of Arezzo, called by some the red Roman
ware, and by others Samian, distinguished by its close grain
composed of a fine clay, and presenting, when broken, edges of an
opaque light red colour, whilst the inner and outer surfaces are
quite smooth, and of a brighter and darker red, is found in all
places of the ancient world to which the Roman arms or civilisation
reached. It is distinguished from the Aretine by its darker tone,
stronger glaze, and coarser ornamentation. Possibly, the whole
passage of Pliny in which he speaks of the earthenware of his day
refers to this red ware. Thus, for dishes he praises the Samian
and the Aretine ware; for cups, that of Surrentum, Asta and
Pollentia, Saguntum and Pergamus. Tralles and Mutina had their
manufactories. Cos was most esteemed; Hadria produced the hardest
ware. That one of these, that of Saguntum, was a red ware, is
clear; that of Cumæ was also of the same colour.... That the red
ware is found amidst the dense forests of Germany and on the
distant shores of Britain, is a remarkable fact in the civilisation
of the old world. It was apparently an importation, being exactly
identical wherever discovered, and is readily distinguished from
the local pottery."--Birch, _History of Ancient Pottery_,
pp. 560, 561.
[62] "It belongs to the class of tender lustrous pottery, consisting of
a bright red paste like sealing-wax, breaking with a close texture,
and covered with a siliceous, or, according to some, a metallic
glaze. This glaze is exceedingly thin, transparent, and equally
laid upon the whole surface, only slightly augmenting the colour
of the clay."--Birch, p. 561.
There seems to be no doubt that Saguntum and Emporium were principal
centres of this industry, and possibly, since these towns were old Greek
settlements, the _barros saguntinos_ were of Grecian origin. Pella y
Forgas, describing in his _History of the Ampurdan_ the fine red ware of
this locality, says that parts of the decoration were fashioned on the
wheel, others directly by the potter's hand, and others from a mould,
while the ornament of dotted lines was made by the wheeled _roulette_.
Among the commoner objects dating from this time are amphoræ and small
earthen lamps (Pl. xlvii.). These lamps have been discovered in great
numbers, and, owing to the dryness of the Spanish soil, in excellent
preservation. They measure about the size of the hand, and have two
holes, one in the spout or beak, to hold the wick, and the other at the
top, for pouring in the oil. The top, which as a rule is slightly
concave, is often ornamented with devices in relief, such as a chariot
and its driver, or the emblem of a deity.
Public-domain text, read in full here on John Shaqi.
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