"They are mixed in the following manner: a small portion of sulphur in powder is put into a casserole with two small bits of copper, between them a coin of one silver _peseta_; the rest of the sulphur and copper is then added to it. When this casserole is ready, it is placed on the fire, and is made to boil until the sulphur is consumed, which is evident when no flame issues from it. The preparation is then taken from the fire, and when cold is pounded very fine; the red ochre and scoriæ are then added to it; it is mixed up by hand and again pounded into powder. The preparation is placed in a basin and mixed with enough water to make a sufficient paste to stick on the sides of the basin; the mixture is then rubbed on the vessel with a stick; it is therefore indispensable that the water should be added very gradually until the mixture is in the proper state. "The basin ready prepared must be placed in an oven for six hours. At Manises it is customary to do so when the vessels of common pottery are baked; after this the mixture is scratched off the sides of the basin with some iron instrument; it is then removed from there and broken up into small pieces, which are pounded fine in a hand-mortar with the quantity of vinegar already mentioned, and after having been well ground and pounded together for two hours the mixture is ready for decorating. It is well to observe that the quantity of varnish and gold-coloured mixture which is required for every object can only be ascertained by practice." Nevertheless, the gilded ware of the kingdom of Valencia had by this time deteriorated very greatly. Formerly, from as far back as the reign of Jayme the Conqueror, the other towns or villages of this region which produced the lustred and non-lustred pottery were Játiva, Paterna, Quarte, Villalonga, Alaqua, Carcer, and Moncada. Early in the fourteenth century fourteen potteries were working in the town of Biar, and twenty-three at Traiguera. Manises, however, maintained the lead for many years. The notices of Eximenes and other writers concerning the pottery of this town have been already quoted. The same ware is mentioned in the sixteenth and seventeenth centuries by Diago (1613), Francisco Jávier Borrell, Beuter, and Martin de Viciana. Marineus Siculus, the chronicler of Ferdinand and Isabella, adds that similar or identical pottery ("_desta misma arte_") was made in Murcia, whose manufacture of it had been praised in earlier times by Ibn-Said. Toledo also manufactured gilded ware with blue or bistre colouring. García Llansó says that in the sixteenth century this capital produced plates which contain the arms of Spain in the centre, the rest of the plate being completely covered with minute geometrical or floral ornamentation. [Illustration: LXIV HISPANO-MORESQUE LUSTRED WARE (_A.D. 1460-1480. Osma Collection_)]