The precious stones were thus valued at a total of 1,744,262 _maravedis_. Besides this, the value of the gold and silver contained in the crown was estimated to amount to 405,227 _maravedis_, while 3,097,750 _maravedis_ were allowed for the workmanship. These figures relate to the part which was made by Alejo de Montoya only. That which had previously been executed by Fernando de Carrión was valued at 1,954,156 _maravedis_, making a grand total, for the whole jewel, of 7,201,395 _maravedis_. At the present day the intrinsic value of the crown would be from nine to ten thousand pounds sterling. In 1869 this splendid specimen of Renaissance jewellery was stolen from a cupboard in the cathedral of Toledo, sharing thus the fate of many other precious objects which have been entrusted to the slender vigilance or slender probity of Spanish church authorities. APPENDIX E GOLD INLAY ON STEEL AND IRON The inlaying of iron or steel with gold is often thought to be a craft particularly Spanish, and to have been inherited directly by the Spanish Christians from the Spanish Moors. This work, however, although we may assume it to have been of Eastern origin in a period of remote antiquity, was quite familiar to the ancient Romans, including, probably, such as made their home in Spain. The Memoirs of Benvenuto Cellini contain the following notice of the work in question:-- "I met with some little Turkish daggers, the handles of which were of iron as well as the blade, and even the scabbard was of that metal. On these were engraved several fine foliages in the Turkish taste, most beautifully filled up with gold. I found I had a strong inclination to cultivate this branch likewise, which was so different from the rest; and finding that I had great success in it, I produced several pieces in this way. My performances, indeed, were much finer and more durable than the Turkish, for several reasons: one was, that I made a much deeper incision in the steel than is generally practised in Turkish works; the other, that their foliages are nothing else but chicory leaves, with some few flowers of echites: these have, perhaps, some grace, but they do not continue to please like our foliages. In Italy there is a variety of tastes, and we cut foliages in many different forms. The Lombards make the most beautiful wreaths, representing ivy and vine-leaves, and others of the same sort, with agreeable twinings highly pleasing to the eye. The Romans and the Tuscans have a much better notion in this respect, for they represent acanthus leaves, with all their festoons and flowers, winding in a variety of forms; and amongst these leaves they insert birds and animals of several sorts with great ingenuity and elegance in the arrangement. They likewise have recourse occasionally to wild flowers, such as those called Lions' Mouths, from their peculiar shape, accompanied by other fine inventions of the imagination, which